A Quote by Kenny Chesney
Social topics may hit too close to home for people, but then again, if you pull a heartstring, then that's what country music is. It's not just songs about getting drunk and leaving your girl.
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People get strange about whether you've written your own songs, which seems really stupid considering that, especially in Country Music, it's about oral tradition and passing things on and the songs weren't meant to be played by one person and then forgotten.
People say all kinds of things about the ingredients of songs. But you know they are a kind of magic, in the sense that they may easily include a stain on your bedroom wall... and a variety of mis-recollections. And then you name it after a girl's name that you just made up.
As a little kid I had a girlfriend, and her boyfriend used to beat me up, so then I used to sing these songs, and that's what it's all about. Country music is all about your heart and your people and things like that.
Like other parties of the kind, it was first silent, then talky, then argumentative, then disputatious, then unintelligible, then altogether, then inarticulate, and then drunk. When we had reached the last step of this glorious ladder, it was difficult to get down again without stumbling.
The British model, which I've always thought was great, is that you do a TV show and then they sell it. Then you can buy it at the video stores forever, so it never went away. But American TV used to be if you had a show and it got cancelled, then it never existed. It was just this thing you heard about and you couldn't see it again. There is something so great about shows getting released and people getting to watch them over and over again. It definitely takes the sting out of it.
Oh, stuff the critics. I don't care. Too many people are snooty about classical. Look, I wasn't brought up in a home where we listened to classical music. It was a singing teacher that thought it would be best for my voice. Then I moved into crossover. And if that makes the music accessible to more people, then great.
Writing a story starts out as a puzzle in your mind, of "What is it I'm fantasizing about right now that makes me think this is going to be worth years of work?" And you just keep pushing and trying to figure it out, and once you've hit on these resonances... Then as a screenwriter, it can be dangerous if you get too hooked on just finding things that resonate with each other, because then you risk getting into stuff that's too neat, and becomes stifled as storytelling. But you do feel like you're on the right track when you start to have a sense of what goes with what.
Songs used to be short, then they became longer, and now they're getting shorter. But otherwise, music is about a beat and a message. If the beat gets to the audience, and the message touches them, you've got a hit.
My indigestion issues got gigantic and constant. And then I started thinking, I'm getting skinny. I dropped about 20 pounds in the blink of an eye. And then when you see it in the mirror, when all of a sudden, you pull your eyes down and the bottom of your eyes go yellow and jaundice sets in - then you know something's wrong.
I grew up listening to everything. I was in rock n' roll bands and punk bands, and I loved bluegrass and country music, too. Then, when I moved to Nashville, I put out a very traditional country record because that's just what you do. I had a bunch of very traditional country songs. Next thing you know, you're a country singer.
I do think I'm country, but your definition of that word might be different from my definition. In my opinion, country music, the sound of country, has always evolved. But the one thing that has not changed is the story element. And I think country songs are truthful songs about life written by country people.
Songs used to be short, then they became longer, and now theyre getting shorter. But otherwise, music is about a beat and a message. If the beat gets to the audience, and the message touches them, youve got a hit.
I remember in one of my early films I had a drunk scene. It was Kiss Me Goodbye, with Sally Field, and I was playing this kind of nerdy guy who gets drunk and dances. And so I thought, "Oh well, I'll just get drunk and do the dance." And it was wonderful, but then I had the rest of the day, and the next day. So I learned that you don't really have to do the things that your character is doing. But us actors, we use something called sense memory. I've certainly been drunk before, and part of my job is to recall that without getting drunk.
I'm just opening the doors. And a lot of this is new to me - thinking about it, and letting go again and again and again, trusting that if I'm meant to continue working as a musician, it'll happen. If I'm not, then pull out the life support.
I would rather write songs and then practice with the band. Just the band camaraderie is awesome and then writing music and then just listening to it and saying 'Dude, we made that music!' That's really fun.
I'm writing songs that connect to millions of people. And that happens for a reason. I don't really worry too much about people who aren't into it because that's the beauty of music. It's subjective. If every single person in the world loved our music, then that'd be weird.
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