A Quote by Kenny Cunningham
I wouldn't even mention myself in the same breath as someone like big Paul.
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Someone real," I hear myself saying. "Someone who never has to pretend, and who I never have to pretend around. Someone who's smart, but knows how to laugh at himself. Someone who would listen to a symphony and start to cry, because he understands music can be too big for words. Someone who knows me better than I know myself. Someone I want to talk to first thing in the morning and last thing at night. Someone I feel like I've known my whole life, even if I haven't.
Everything in the least connected with him has value for me; if someone even mentions his name it is like a little present to me-and I long to mention it myself
I thought it completely absurd to mention my name in the same breath as the presidency.
I do believe in reading signs if they're really obvious to you. Things happen. Someone will say something to you today in the morning and then later on that day someone will mention the same thing and then the next day someone will mention it again. There's a reason why three people have said something within twenty four hours.
Signs usually come in threes. The same book is recommended to you several times within the space of a day, for example. You overhear someone mention the same company three times in a week. Or, you get the same feeling again and again. Notice your feelings. Again, true divine guidance feels safe, even if it does feel intimidating. False guidance feels edgy, shaky - like you're sneaking under the wire. It doesn't feel right.
I know how well I can play. I don't mention myself with the other players. I mention myself with the best.
I always traveled by myself on the airplane, stayed at hotels by myself. Even though I got some big campaign, I couldn't celebrate with someone else. I just stayed at the hotel, had a glass of wine and congratulated myself.
My videos are coming from the perspective of someone who bought the device, used it and is giving impressions on the actual usage. Sometimes 2 different behind-the-scenes engienering decisions will yield the same user experience, in which case I won't even mention it.
I've seen looks before that have literally taken my breath away - like someone on the red carpet and it's just like I can't even breathe, like you get some type of amazing anxiety.
While I was writing 'The Big Girls,' I had to take a big breath each morning and calm myself sufficiently to once again enter that world. But friends tell me that it is the only thing that really interests me. They say that I like to be upset.
For someone like me, making a documentary - I don't kid myself. There's no influence at all. What I do is entertainment. I would even say much the same about the column I write in 'The Sunday Times.'
Paul Giamatti is truly one of my biggest inspirations, and even more so now that I've gotten to work with him. Every single thing he does, he completely transforms into it. When I watch a film with Paul in it, I'm not like, 'Oh, there's Paul.' I'm completely into whatever character he's in, and I'm not thinking about him as an actor.
Of course I'm happy when people mention his name and mine in the same breath. It's like a dream. But I know they are overpraising 'Your Name' because I am absolutely not at Miyazaki's level. Honestly, I really don't want Miyazaki to see it because he will see all its flaws.
I honestly never considered myself an actor. An actor would be someone like Paul Muni or Spencer Tracy. I was more of a personality.
I think we all look for clues that we are not utterly alone... Clues we find in literature and paintings and music and even someone’s eyes; clues that demonstrate that someone else has felt the same indescribable feelings, seen the same things or passed by the spot even if it was by candlelight three hundred years ago. It means everything, like finding footprints in the sand of a deserted island.
I should also mention that the Neue Galerie is piping music into the galleries where "Klee and America" is hanging, a practice for which vulgar is not even close to the word. Yes, I like Schumann's Carnaval, but I'm damned if I know why anybody thinks the paintings of Paul Klee profit from being viewed with Carnaval playing in the background.
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