A Quote by Kenny G
Sure, I love people, and I want to communicate with people. I mean, what is music anyway? It's a form of communication - at least for me it is. And that's why I play the kind of music that I think - that I hope - can communicate with people.
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I mean, what is music anyway? It's a form of communication - at least for me it is. And that's why I play the kind of music that I think - that I hope - can communicate with people.
What is music anyway? It's a form of communication, and that's why I play the kind of music that I think - that I hope - can communicate with people.
Speaking of love, one problem that recurs more and more frequently these days, in books and plays and movies, Is the inability of people to communicate with the people they love: husbands and wives who can't communicate, Children who can't communicate with their parents, and so on. And the characters in these books and plays and so on, And in real life, I might add, spend hours bemoaning the fact that they can't communicate. I feel that if a person can't communicate, the very least he can do is to shut up!
I believe that music is a spiritual language. My everyday self is pretty mundane and boring, but when I'm making music it allows for me to communicate a kind of transcendence that I can't communicate otherwise.
[What I want to communicate] doesn't have a language with which I can communicate it. The things that I want to communicate are simply self-evident, emotional things. And the gifts of those things are that they bring both intellectual and emotional gifts - understanding. But I don't really have a major message that I want to bring to the world through my music. The music can tell people everything they need to know about being human beings. It's not my information, it's not mine. I didn't make it. I just discovered it.
That's why you put out records: hoping that people will connect with them. I mean, I play music for myself, for sure, and I would still play music even if people didn't like it. But it means a lot when it connects to people and they enjoy it. But it's funny: you get criticism as much as you get praise. It kind of evens out after awhile.
Music is the way I understand how to communicate now, the way that I've learned how to communicate... but it will eventually have to go beyond that. You see, I've realised that music is not what keeps people involved - it's the attitude behind the music.
I would not want the limitations held by the name of a classical musician. I want many people to enjoy my music much beyond just classical music fans. I think the term, 'violinist,' keeps me distant from the audience. I want to communicate with them more.
A writer is one who communicates ideas and emotions people want to communicate but aren't quite sure how, or even if, they should communicate them.
Humans cannot communicate; not even their brains can communicate; not even their conscious minds can communicate. Only communication can communicate.
I know that my music is heard a lot in commercial circles. In academia, I think my music is taken in differently but I'm not sure why that is. Some kind of sixth sense tells me that people in that world are thinking differently about it. I don't know if it has to do with the structure of my music, which is probably more apparent to those in the academic world than it is in the commercial world, where people tend not to think of that aspect of music so much. They just listen for pure enjoyment.
Where my earlier works, what sets them apart is that I didn't need approval and I didn't need permission from anyone because I wasn't being paid. So, to me, I was allowed the freedom, the total freedom to just communicate how I wanted to communicate and my whole level of perspective was to communicate to the barrios, communicate to the gangs and communicate to the people that frequent the thoroughfares that were populated by these gangs and by this life style.
I think the thing about music is, it's about communication. If you communicate to anyone, whether someone unknown who's a fan or Lady Gaga, I think that always gives you a nice feeling. It's always nice when people say nice things about you. But we tend to think about people as equals.
It's weird, in New York, it's like the big theme of everything is folk music and interacting with people. Maryland is where the landscape of our music comes from, it was more like, let's walk around. People are saying that we are part of some sort of folk scene. We don't feel connected with it. We do live in the city, and communicate with people. It's all folk music.
That's why I played music; my social skills were limited. I think a lot of people that experience that pick up guitars, because they can't communicate otherwise.
If two people have the same opinion, one is unnecessary. ... I don't want to talk, to communicate, with someone who agrees with me; I want to communicate with you because you see it differently. I value that difference.
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