A Quote by Kenny Omega

Even my most physical matches in New Japan have all been athletic contests, and generally, they've all been fair and square. It's been this new, strong style we've been trying to create in New Japan, with my own personal style.
I have been robbed of three million dollars all told. Everyone today is playing my stuff and I don't even get credit. Kansas City style, Chicago style, New Orleans style hell, they're all Jelly Roll style.
I've done Last Samurai in Japan, in LA, in New Zealand. Even in Japan it is very hard to shoot, because there's been so many changes. Only around a temple can we shoot.
At this stage, most of the awards I get are concerned with my longevity. Even I'm amazed at myself because there have been new generations since I've been born and new music that they create, so it's amazing to still be on the radar.
I've been working with Riccardo Tisci from Givenchy.It's been a long collaboration, and I don't think it's going to stop now. It's very important to me. Riccardo is younger than me, so it's great to have someone new teaching you in everything, not just in fashion. I'm teaching him in French style, what a women's style is, but he's teaching me in all of these different styles of music.I love this new world for me. It's refreshing and nourishing to keep learning about new things.
I was a young age, 16 years old, in Mexico. I traveled to these different countries, and I have the new style from Mexico and TNA. I wrestled two years in Florida, then back in Japan, and everything combined for a new style. It's different. I was looking for old school wrestling that looked new.
Everywhere I go, the styles are different. When you wrestle in Japan, it's more strong style. When I go to Mexico, it's definitely more high-flying. And in my matches I've had with Taya in Impact, it's been a lot more ground-based.
Brazilian football has always been very much admired in Japan and, of course, after my participation and so many other Brazilians, it was like they created a new style of play in homage to Brazilian football.
Luckily, I have been a part of New Japan Pro Wrestling for eight years and it's been a great run with a lot of cool things and amazing experiences.
I've been good at creating new textures and new fabrics, like vocal hocketing, or interlocking guitars, or suggesting new ideas for style... that's what the band has really excelled at.
I've been to Japan, I've been to China, I've been to Africa, I've been to the Middle East, I've been to Europe a little bit. I've never been to South America.
It's been a huge honor to collaborate and create new theatre with new writers and to create theatre that will last after my lifetime. It's been in the most truthful way possible. It's my favorite thing to do.
I'm not a New Age person, but I do believe in meditation, and for that reason I've always liked the Buddhist religion. When I've been to Japan, I've been to Buddhist temples and meditated, and I found that rewarding.
If I was going for the popular vote I would've won easily. But I would've been in California and New York. I wouldn't have been in Maine. I wouldn't have been in Iowa. I wouldn't have been in Nebraska and all of those states that I had to win in order to win this. I would've been in New York, I would've been in California. I never even went there.
Everything has been done. It's not possible to create something completely new, something that has never been seen before. It's only possible to make new combinations, establish new connections between things we usually take for granted.
Magic Realism is not new. The label's new, the specific Latin American form of it is new, its modern popularity is new, but it's been around as long as literature has been around.
To tell the truth, fairytales have never gone out of style. They have been told and retold for thousands of years, finding new shapes and structures with each new generation of tellers.
This site uses cookies to ensure you get the best experience. More info...
Got it!