A Quote by Kenny Smith
I shoot too many shots in the summer to worry about my shooting.
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If you start worrying about your shooting percentages, you start not taking the shots you know you can make. You start worry about taking shots because you don't want to mess up your percentage.
I never casually shoot shots, ever. I shoot the same way every time. I shoot the same shots that I'd shoot during the game.
Sometimes it helps to take a couple days off, as weird as that sounds. Every once in a while, I could just shoot so many shots. You can get so, like, intense with it all. It's like in life, right? We're all created for a sabbath day or for a day of rest. You sometimes need that in shooting, too.
I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
Just someone trying to shoot in 70mm deserves the nomination, and he[Quentin Tarantino] is shooting interiors, like tight interior shots, for that matter. Obviously [Quentin] is the director and demanding the shots, but all credit for the beauty of that film [Hateful Eight] goes to the director of photography.
Usually, I have in mind what I want to do. I shoot pretty economically, so I'm not shooting tons of stuff that I could change, all that much. I'll cut something or add a little something back, but not too much. This is maybe the producer part of me, but I'm always worried about the budget, so I shoot what I know I need to shoot for the film.
LeBron always tells me to shoot the ball. Don't worry about stats, don't worry about percentages. 'We know what you can do, just shoot the ball and be comfortable.'
I can't tell you how many reshoots I've done from, you know, famous photographers who really love just to shoot models and failed at shooting a Patti Labelle or someone like that because Patti Labelle didn't turn them on, so you have to shoot what you care about.
I don't shoot shots just to shoot shots. I'm always working in a rhythm, working on mechanics. I've got a checklist of the things I need to do with my form, my legs, my arms, all of my mechanics.
For me, I'm still going to shoot the halfcourt shot if I can. I don't worry about my percentages too much. It's about winning games.
At first you see a lot of people say 'Oh he's good, but he can't shoot' or 'Oh he's good, but can his shot translate to the NBA?' That just made me go into the gym and work that much harder to show and prove that I can shoot outside shots, and I can make shots.
The reality about shooting films is that you can shoot many jokes and decide later which one works. So it's not worth fighting about jokes.
Big shots are only little shots who keep shooting.
Try to place the camera somewhere where you get most of the information from there, so you don't need to have too many shots and be too explanatory and expositional about the scene.
I try not to tell students where to shoot, when to shoot, or what to shoot. I feel finding the picture is the most important part of being a photographer. The actual shooting is of lesser importance.
I've always been able to shoot the ball, so it's just about continuing to work on your shot and shoot the ball. That's the main thing. Got to get those shots up.
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