A Quote by Kenny Stills

The MMA stuff has been really good, I'm enjoying that. To be able to work with Jay Glazer, he's a total meathead, he loves all that stuff. I hit him as hard as I can and he's like 'Yeah!' It's been fun for me to release that anger without putting pads on.
I think that dreams, goals, and aspirations, all of that stuff - I'm really lucky to have been able to work with the talented people that I've been able to work with and I hope to be doing that for a very long time.
Magazines in the traditional sense were aggregators of novelty. A good magazine was a lot of novelty, stuff you've never heard of before, clearly aggregated by people who have been able to travel further and dig deeper than you have been able to do. And that used to be really an important source of stuff for me. And now it is less important because the Internet has eaten it all up. But my Twitter feed as an aggregator of novelty is like... I don't know what I would do if it became any more powerful, I would have to start reining it in somehow.
A lot of my work has been about stuff I've been frightened of: cliffs, explosions, meteorites, that kind of stuff. I would have been this trembling blob of fear if I hadn't got into making art, which is a good way of deferring it.
All the work I do is personal, so the good stuff and the bad stuff that you see in there is all good stuff and bad stuff that I have, and part of the journey, for me, has been to embrace these things that I find embarrassing about myself: my stubbornness, my ego, my maudlin-ness - these things that I see myself do, and I go, 'Oh, David, stop that!'
All the lawyers and the business stuff is work, but actually creating stuff isn't work. It's good effort. It's hard work. But, it's not work. It doesn't feel like work because the result is very rewarding.
What I found most fun is just trying to get other people to crack up. That's always something that will help a movie and I've been lucky enough to have been able to work with some incredibly talented, collaborative comedy people in all of the stuff that I've been in. If you can get people laughing, cast or crew, you're going to have a good end product.
My old man taught me a lot of stuff in his death that I don't even know if he would have been able to teach me had he been alive. And that was to never do stuff that can jeopardize the people you love and hurt them.
It's been reinforced to me, and it's a little cliche, but I've learned that you can't make a movie that even works, much less that's good, without really good writing and really good acting. That lesson has led me to not be distracted, so much, by the other stuff going on in filmmaking and to focus on the essence of a story, and the words and the events and the way that those are interpreted by the actors. That philosophy has taken me to a place that I really like.
I like to go on stage with a variety, with some stuff that's been around for a handful of years, some stuff from the last year, some stuff is from last week, and some stuff is brand spanking new. Those are the moments that excite me - when I'm coming up to a brand new bit. The more virgin the snow, the more fun it is to run on.
Getting married is great, and I feel really good away from the court, and my private life and stuff is good. But you still need to train and work hard. Like, I didn't go on a honeymoon after we got married; I went to Barcelona and trained for 10 days to get ready for the clay-court season. It's been good, but you still have to put the work in.
Remixes are so much fun. For me, it's like this great release of energy. I like producing stuff for myself, but I also enjoy making music that wouldn't really suit my own vibe.
I'm not really sure if I have anything that inspires me. I think what goes into my work is everything beforehand that I do with my dad. He teaches me acting, and I think maybe without him it would be pretty hard. I started acting for fun, really, because my dad's an actor and my sister's an actor, so I started doing it and it was normal. But it got places really fast, and I started doing feature film auditions and stuff.
It's so weird, like, it's not like Gamergate is the only bad thing to happen to me. I've been homeless before, I've had to come through other stuff. A profoundly abusive childhood, but at least that stuff feels like I got to move on from it, that stuff is in the past.
We're pretty good at putting bunts down and really good at hitting. I know as a pitcher, when you face a pitcher you know can hit, that's not fun. I think taking pride in that, and being able to hit helps your own cause.
Sometimes interviews are fun and good conversations, but stuff like photo shoots and appearances at places where you have to meet a lot of people - I was never really made for this kind of stuff.
Being good at fashion and beauty and girly stuff has been such a point of insecurity for me; I'm not good at coming up with jokes that make fun of other people for that, because I don't feel like I have a mastery of it myself.
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