A Quote by Kent McCord

That first year at Universal was a big blur and, naturally, I thought they were wasting me. I didn't realize at the time that I was learning my craft and acting more easily in front of the camera.
In England, when we're at drama school, we spend a lot of time learning the craft from playwrights and stage actors, who are very well trained in the basics of acting because they need to get it right the first time - you can't have second or third takes when you're in front of a live audience, unlike in film.
I ask my assistants if they're retarded all the time. When the camera is on you, of course, actors have the ability to make it real. For me, if I'm not talking, it is a problem. I have so much more respect for actors after being in front of the camera, and I realize that the hardest part is when you're not talking. Listening is harder than just acting. Listening is the hardest part.
The camera course was a bit crap. But when I was in drama school, I wasn't interested. I wanted to be a stage actress. I was not interested in learning camera craft. But then you throw yourself in the deep end when you do get a job in front of the camera because you have absolutely no idea what you're doing, and it is a skill.
I spent a lot of years just learning my craft and falling down in front of the camera.
Mum has discreet spontaneity - she has an ease in front of the camera, which comes naturally - whereas dad is a kind of an acting ninja. He attacks you with his acting, which is overwhelming.
'Hollyoaks' is where I learnt a lot of the craft, being in front of a camera six days a week. That's certainly an experience you don't get in drama school. It invites you to be comfortable in front of the camera.
Damnation' and 'Dublin Murders' are the first lead roles I've gotten to do. The more time you spend in front of the camera, the more you begin to relax in front of it.
Naturally, in 10 years, you change as a person and you learn a lot from your mistakes. You also learn a lot about wasting time and the right way to handle things. We're not touring as much. We're not doing eight or nine months of the year, so I've got a bit more time to get a perspective on what I do. I think I've improved my songwriting. I'm every bit as enthusiastic about playing as ever and I'm still learning.
I'm a fan of making films. Whether I'm on stage or in front of a camera, one of my first loves is performing for the people. I'd like to do more acting.
I could never imagine myself acting in front of a camera or doing anything in front of the camera. I was a very shy girl.
I never really thought about acting as a child. It wasn't like, "This is the career that I want to pursue." So when I first started acting, I was more concerned with just being on a set and all of the woes of that, and I didn't really know it or understand it as a craft yet.
I think I've found a purpose in acting; it's something I truly love and truly enjoy. It makes me happy. It makes me understand more about life, in front of the camera, than what I'm living beyond the camera.
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn and I would skip class to shoot my scenes. It was terrifying and I entirely self-conscious in front of the camera.
I did 10 years on 'Sopranos,' but the whole craft of acting is relatively new to me. I'm still learning that, and I'll be learning that forever.
I tend to want to go quite big in my acting, which you just cannot do in front of a camera. It's taken me a while to learn how to pull it back.
McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.
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