A Quote by Kentavious Caldwell-Pope
I've been working hard to get playing time, just for whatever. I'm up for whatever I can earn.
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I just want to say real quick, whatever kind of problems you've been going through, maybe you're having a hard time at work, maybe you're having a hard time with your family, whatever it might be, you can overcome that. You just have to keep your hope up.
We've [me and brother] been playing hockey for a long time, since we were little kids. I started playing hockey at two and a half. Obviously, playing hockey we want to be known as good hockey players and hard working guys that earn everything they get.
We use the term 'fight' very lightly - 'I've been fighting so hard to get my car, I've been fighting so hard to get that job, I've been fighting so hard to get that girl.' But the reality is boxers do fight bitterly to get whatever they want or whatever they need in life, and most of them come from nothing, which is the case of Roberto Duran.
Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.
I'm happy to be back out on the court. Whatever role that I'll be in and whatever minutes that I get, I'm just grateful to be playing a game I love again.
I grew up playing sports, but now I feel like I can't, because if I get injured, I'll impair whatever film I'm working on.
So the only environment the artist needs is whatever peace, whatever solitude, and whatever pleasure he can get at not too high a cost. All the wrong environment will do is run his blood pressure up; he will spend more time being frustrated or outraged. My own experience has been that the tools I need for my trade are paper, tobacco, food, and a little whiskey.
I'm not a guy who just sits there on the couch and watches TV all day long. I need to get up; I need to be active. I need to be doing things around the house - working out, playing a sport, whatever.
Our time here is magic! It's the only space you have to realize whatever it is that is beautiful, whatever is true, whatever is great, whatever is potential, whatever is rare, whatever is unique, in. It's the only space.
You turn up in the morning, you get through hair and make-up, and then you are on set working until it's time to go home. And I love that. Coming from the theater, you just turn up and you're ready for whatever happens. That energy really appeals to me.
I don't rely on catchphrases or really like sing-along. I just do whatever I feel. Whatever the beat makes me say, I do that and I run with that. It's been working for me, so I'd be cool with that.
When I'm working, I don't wake up and say, 'OK, time to go be intense.' I just look at whatever scenes we're working on that day and break them down - just real intense everyday work.
They're free because they don't know any, better. So they can just run around and do whatever, and do whatever, and most of the time they don't get caught.
My life is not a political campaign. I just write about what is on my mind. I just play whatever I feel like playing. Whatever is in my soul at the time is what I want to do. I have, thank god, enough people who are still interested in what I am doing so that I can go out and keep doing it.
I believe that improvisation is really just a directorial tool. It's a writing tool. It's not so much that the actors get to say whatever they want, whatever pops into their head. It's an opportunity to write the last draft of the screenplay as you're working on it.
Most of the time when I'm in Australia I'm not really working, it seems. I'm just at home, getting on with renovating my house or writing music or whatever. So I get back to doing all the stuff that I naturally do. Whereas if I'm away working, that's all there is to do, is to concentrate on the work.
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