That was probably the biggest adjustment for a lot of people... You have a ball-dominant guy like LeBron that makes plays for everybody. You gotta just be ready at any point because you might not get a shot the first 15 minutes and you might get three or four after that.
I'm a big guy so I have to keep my muscles loose. So I do a lot of stretching before the game. I'll do about 10-15 minutes of yoga just to loosen up my body, get warm and get ready to play.
I quizzed him a lot on this point and i suspect the truth was that it was like a lot of things at that age: you don't have any clear reason, you just do it. You do it because you think it might get a laugh, or because you want to see if it'll cause a stir. And when you're asked to explain afterwards, it doesn't seem to make any sense.
If you have one guy taking all of the shots, you're obviously not playing very fast, because you have to slow it down and wait for him to get to his spot in the offense. But when you just want the best shot possible, a lot of different people are going to get the ball.
It just depends on what's asked of me, but normally I'm looking to make the right, easy play. So if I can get a teammate a layup, if I can get him an open shot, I just think that gets the ball moving and I feel like it makes everybody feel good and we get into a better offensive rhythm.
Certainly with stage, as I'm remembering, you don't get to spend any time at home. With film, you might do three, four days a week, and they might not be full days. So that aspect of it was a consideration. But I also just wanted to try different kinds of working.
Day one through three of the radio tour, I actually went by Camaron Ochs. I went to my first set of radio remotes, and everybody was just like 'What's your last name?' It's not easy to pronounce. The first two minutes I got with people, that's what they wanted to talk about, and sometimes those two minutes is all you get.
There was a time when I was - after my very first record from Nashville, I thought I might not be one of those who actually really makes it, and I may end up back in Canada, just playing clubs. And that might - this might have just been it.
If I scramble, I might get 5, 10, 15, 20 yards, but I'm not that fast. I always want to get it to the guys that can make plays.
LeBron James can get a shot off under any and all circumstances and he makes them.
I thought of collaborating with other people which still might happen at this point. It might not. I was just trying to break the cycle because I had gotten to a point where I was definitely sure that I was on the wrong track after about 16 years.
I spent a whole year when I was injured just trying to get my arm back to the point where I could hit a tennis ball for more than 30 minutes a day. I'd hit for 15 minutes and it would feel as if my arm was going to fall off.
I was lucky enough to get to perform on stage in front of 20 million people on TV, and 150 thousand in concerts. For 15 minutes I got to be a rock star, the 15 minutes is great! It turns into Spinal Tap after 20 minutes.
You don't expect a 94-year-old white guy to pick "Dope," which was an awesome movie not even close to being considered by the Academy. And that's what it's all about, like, promoting people who might not otherwise get promoted and celebrating people who might not get celebrated.
You don't want to be the selfish point guard. You want to be the guy that gets everybody open, that makes plays, and see the ball move before it goes in.
A lot of guys can shoot two, three, four, five, six, seven, 10 feet behind the 3-point line. A lot of people can do it. It's just, when is it going to be considered a good shot? When are coaches going to encourage you to shoot that shot?
In the NFL, you have a short shelf life. As a running back, if you're the first pick, and you're NFL life expectancy is only 3.5-6 years, your first big contract might not come until three years in - well, you might never get there. They need to get those signing bonuses up front because nothing is guaranteed.