A Quote by Kenya Barris
The thing that I get so often with network comedies - and, I think, some of the most brilliant people in the world do them - but it's easy to hide behind a joke. I kind of feel like when you have to face things, and you don't have humor, it becomes very vulnerable; it exposes your deepest and darkest fears in some aspects.
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When people say, well, they disapprove, I'd like to know what the specifics are, because sometimes - and the president [Barack Obama] has admitted this - they may not feel like he's really explaining and understanding the emotion behind some of these fears [about Iran]. And that's a perfectly legitimate question for people to ask. But if you look at the results of where we are, I think there are some things I agree with and some things I don't agree with, and I think that's absolutely fair game.
There are things that are only palatable until they become uncomfortable for us, so it's very easy to complain about some problem the minute it becomes a problem for you. But you're okay with certain aspects of gentrification if they're the aspects you like.
Often, when you're in some of these writing rooms for... and the most restrictive is network television, right? They say, 'Wow, that's a great joke, but we can't do that. Okay, let's try the second joke. Oh, you can't do that one. But the third joke you can do,' and hopefully it will be great, but it will remind people of what the joke really was.
I guess Surrealism has a draw for me because it's an unknown world. It's a world of subconscious. Some things you can't really get your hands on very easily. Things that are kind of nebulous and they feel like they're not completely formed. You have to feel your way through that.
Sacrifice doesn't really exist on a national level anymore and that's a pretty new thing - most people aren't engaged nationally in some form of service and that changes the way you think about people in your country; you kind of think of them at a distance. And so there's that shift away from some sort of sacrifice - thinking of yourself as the most important thing in the world versus thinking of yourself as some sort of a whole.
We're either awake or we're sleeping. During the time that we're awake, we work very hard at denying things, mainly because we have to function as people. We have to control and repress everything that we're fearful of, because it doesn't make sense to go crazy on the streets, but in reality we hide and we hide, repress and repress, our fears of the world of violence, of separation, of death, and sometimes hopes, and some things that are very joyful, reunions or all of those good things. It's only in dreams that we're really truthful with whatever hurts most; they're really very real.
Satire is an art best practiced behind the back of the intended target. I think inviting politicians on a satirical show becomes a very big trap. Because one of two things happen: Either you have to kind of unsharpen your fangs because you can't be quite as cruel to people to their face as you are behind their backs... Or you don't defang, and those guests get the word and they stop coming.
With some of the journalists, I've known them for years now, and I kind of consider them like my friends, so I always tend to joke around, and some people don't get it.
I'm a Christian. I'm committed to Jesus Christ and I want people to know about Christ, because it's the most wonderful thing. People can say, 'I'll try and give up drugs,' or 'I'll try and live a better life,' but actually, if you're trapped in that lifestyle, you need, I think, some supernatural power to get you out of it. It's not easy to get out of the kind of lifestyles those people are in where all your family are criminals and all your friends are criminals - that is not an easy break to make, and it is a hard thing for a lot of these people.
Working on newspapers, you're writing to a certain length, often very brief pieces; you tend to look for easy forms of humor - women can't drive, things like that. That's about the level of a lot of newspaper humor. It becomes a form of laziness.
Ethics and power are separate. Ethics and morality. I think life would be miserable if there weren't some kind of code that people operated by, but history is full of many, many people who have gotten power by very unethical means, and people who were very ethical, who get no power, people who have the most brilliant, lovely, wonderful, nice intentions and bring about horrible things in the world because they don't know how to play the power game.
I felt that just looking at the world in general, there are so many types of people, and some hide who they truly are. And I feel that every person has some kind of warped identity inside them that they decide if they want to show or not.
There's this belief that some things can be taken seriously in an intellectual way, while some things are only entertainment or only a commodity. Or there's some kind of critical consensus that some things are "good," and some things are garbage, throwaway culture. And I think the difference between them, in a lot of ways, is actually much less than people think. Especially when you get down to how they affect the audience.
I guess some people are brilliant enough to be brilliant on their own and never doubt anything and come up with fabulous things. But I think it's good to get into arguments with people and have them say, 'That sucks' or 'You're crazy' or 'That's cheesy' or 'What do you think of this?'
I love comedies. I take comedy very seriously as a form. It's a serious form, involving a certain way of looking at life, specifically the painful aspects of life. I get asked, "How can you have such failures in your films?" Well, what else is life about? There's some sense of constant failure in something. Humor gives you a distance from it.
I think in some ways people kind of hate it, but most models recognize that it's a pretty easy job to make a lot of money at in a relatively short time, and you get to travel the world and meet a lot of interesting people. There are extreme highs and extreme lows. I think if it were as clear-cut as "models hate it," then they wouldn't do it. I really enjoyed a lot of the actual aspects of it, but not enough to make it my primary job. It can be quite empty, which is why I pursued other things.
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