A Quote by Kenya Moore
I make no apologies for my quirky sense of humor, my personal challenges, my embarrassing moments, my messiness, and deep personal issues I've shared with the world. I have kept it 100% real... Real crazy at times, but always real.
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You can tell a book is real when your heart beats faster. Real books make you sweat. Cry, if no one is looking. Real books help you make sense of your crazy life. Real books tell it true, don't hold back and make you stronger. But most of all, real books give you hope. Because it's not always going to be like this and books-the good ones, the ones-show you how to make it better. Now.
I often wonder whether real conversation in real time may eventually give way to these sanitized and easier screen dialogues, in much the same way as killing, skinning and butchering an animal to eat has been replaced by the convenience of packages of meat on the supermarket shelf… Perhaps future generations will recoil with similar horror at the messiness, unpredictability and immediate personal involvement of a three-dimensional, real-time interaction.
The screen is a window through which one sees a virtual world. The challenge is to make that world look real, act real, sound real, feel real.
My own personal aesthetic is all to do with real actors and real locations and a kind of almost hyper reality and actuality to things. But the digital world, I explore that through other mediums, with music videos and commercials. Even 'The Road' was a real learning curve for me with digital effects.
Spiritual people don't float around all day on clouds of glory; they live in the real world and deal with real issues in real ways.
Real political issues cannot be manufactured by the leaders of political parties, and real ones cannot be evaded by political parties. The real political issues of the day declare themselves, and come out of the depths of that deep which we call public opinion.
I usually can find a way to do a character to make it real and work. But sometimes it's a struggle sustaining that, because there's such a level of personal involvement and personal, physical, and emotional distraughtness.
I like jumping around perspective. It keeps things alive and makes you realize that your personal perspective on anything is very misleading and it's real hard to get a real sense of anything.
Do you know that my personal crusade in life (in the philosophical sense) is not merely to fight collectivism, nor to fight altruism? These are only consequences, effects, not causes. I am out after the real cause, the real root of evil on earth the irrational.
Play is always a fantasy, but once you get into the frame, it is quite real, and everything you do is real. You put acres and acres of real movement and real action and real belief in it.
The trick, though, is to not lose compassion, to not allow the sense of absurdity to outweigh the awareness of real beings, with real feelings. Mean-spirited humor turns the world into cardboard, the way Midas's simple-minded greed turned food into inedible and useless stuff.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
I love Chanel. Everything about her was personal. All of those lions she made, she handmade them. Red and green, they were her favorite colors. She kept it personal and real, and she was a woman.
The real world is the fantasy writer's scrapbook. Real history, real geography, real customs and religions are all invaluable sources of guidance and inspiration.
I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.
A lot of times, I have personal things, things I go through that I may exaggerate or make a story around, but it always has a meaning related to something I've been through for real.
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