A Quote by Kenzaburo Oe

As I grew up, I was continually to suffer hardships in different realms of life - in my family, in my relationship to Japanese society and in my way of living at large in the latter half of the twentieth century.
Ireland is a peculiar society in the sense that it was a nineteenth century society up to about 1970 and then it almost bypassed the twentieth century.
It is easy to be mindless in America, because dreaming of and living for a better tomorrow is the American way. ... The problem is, in the second half of the twentieth century, we have gotten so good at living for tomorrow that most of us spend very little time in the present.
Growing up with my mother who grew up during World War II being half Filipina, half Okinawan, and literally running around the jungles in the Philippines escaping Japanese military chasing after them - I grew up with what they deem now as trauma, generational trauma.
I definitely grew up differently to most of my friends, and that was a little bit of a struggle then. I wouldn't want to change anything about the way I grew up, even though it was a different situation. I still love the way I grew up, and I had an amazing childhood with a really supportive family.
The humanities and science are not in inherent conflict but have become separated in the twentieth century. Now their essential unity must be re-emphasized, so that twentieth-century multiplicity may become twentieth-century unity.
I don't know how it could be more stark or clear: this entire society is being dominated by corporate power in a way that may exceed what happened in the late nineteenth century, early twentieth century.
During the second half of the twentieth century, I had the privilege of living through years of intensive erudition, and I realized that Canadians, located in the northernmost region of this hemisphere, were always respectful towards our country.
Beyond doubt, the most salient characteristic of life in this latter half of the 19th Century is its SPEED
The thriller is the cardinal twentieth-century form. All it, like the twentieth century, wants to know is: Who's Guilty?
The twentieth century must be a century of the Blessed Sacrament if it means to be a century of resurrection and of life
I grew up in a family where I had a lot of different siblings from - you know, I grew up in a big family, and I think it's a beautiful thing.
China's culture and history are closely related to my living environment. This country is my birthplace. It is also where I grew up. Its culture and history shape my relations with family, friends, society, and daily life.
On this basis, which was originally financial and goes back to George Peabody, there grew up in the twentieth century a power structure between London and New York which penetrated deeply into university life, the press, and the practice of foreign policy.
One of the major changes in attitude that occurred in the world of art as we moved from the nineteenth into the twentieth century was that the twentieth century artist became more involved with personal expression than with celebrating exclusively the values of the society or the church. Along with this change came a broader acceptance of the belief that the artist can invent a reality that is more meaningful than the one that is literally given to the eye. I subscribe enthusiastically to this.
The nineteenth century planted the words which the twentieth century ripened into the atrocities of Stalin and Hitler. There is hardly an atrocity committed in the twentieth century that was not foreshadowed or even advocated by some noble man of words in the nineteenth.
As much as any woman of the twentieth century, Madam Walker paved the way for the profound social changes that altered women's place in American society.
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