A Quote by Keren Woodward

Back in the day we didn't really have time to be a live act because we were always on TV or doing live interviews. We were being flown all over the world. — © Keren Woodward
Back in the day we didn't really have time to be a live act because we were always on TV or doing live interviews. We were being flown all over the world.
I don't think we were shy so much as we were terrified. Especially when we did 'Saturday Night Live' on live TV. We looked really animatronic because we were scared, but it came off as being this alien sort of attitude, which served us well, because people were like, 'Whoa, this is so weird.'
If I go back to when Borat and Ali G. were doing it, they were more just TV, cinema, TV, cinema. Whereas I live in more of the Internet age where people like to feel like they can still touch you, and so it's important for me not to almost box myself off.
My parents would have their friends over - their friends who thought, 'How can you live without a TV?' By the time they left, they understood why, because I had done the second act of 'West Side Story' and the first act of 'Jesus Christ Superstar,' playing all the parts. In many ways, that's what I'm still doing. I'm just getting paid better.
Billie Joe Armstrong of Green Day always says we were influences on him, because he does melodic but distorted, like what we were doing. The Ramones were doing it. We were doing it. The Buzzcocks, all those bands.
There was a time not long ago when stories about Internet crimes were a tough sell for TV newsmagazines. Executive producers were wary because images of people typing on keyboards and video of computer monitors did not make especially compelling TV, even when combined with emotional interviews with victims.
Scott and I had just worked with Jimmy Pardo doing a live show over the summer. And it was a lot of fun and we wanted to keep doing a live show. And as Scott said, we knew a lot of funny young people who needed a place to do stand-up. And we were in a place, where we were writing so much that we weren't around live comedy so much, so we kind of missed it.
And how could we endure to live and let time pass if we were always crying for one day or one year to come back--if we did not know that every day in a life fills the whole life with expectation and memory and that these are that day?
At the height of our fame, we didn't see anything. We didn't leave the hotel because we were doing interviews all day. We may have traveled the world, but we saw nothing.
I watch like, Steve Jobs interviews, I don't really watch TV. I stopped watching TV when I turned like ten because my parents were like, 'TV's really bad for you.'
Do not act as if you were going to live ten thousand years. Death hangs over you. While you live, while it is in your power, be good.
With The Allman Brothers, we made two studio records that were OK, but the first really great album was the live one, 'At Fillmore East.' We were a live band, and it's one of the reasons we were able to stick around for 45 years.
My family is Jamaican. We were just the slaves that were dropped off over there. And at the end of the day when you live and exist as a Black person in America, at least to white society, to a certain extent, no one is asking where you're from and where you were born.
When I was a kid and went to shows, my favorites were Live Events. You really see a performer's personality on Live Events than on TV.
I think everyone envisions what their life would be like if they were to live in this post-apocalyptic world. I love the idea of fighting every day to live, because it kind of applies to gymnastics; I feel like every day I need to be in control and focused and stay on edge.
One day we were in Limerick... and then, a few weeks later, we were being flown around to play. When we started, it was just a hobby. It wasn't any big ambition.
I was doing publicity for 'The Getaway'; people were coming in from all over the world to do six-minute interviews.
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