A Quote by Keren Woodward
Everyone we knew was forming a band. Boy George, Wham! Sade. But it wasn't a big deal, they were our friends. It wasn't like we were hanging out with pop stars.
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I wasn't really terribly familiar with the Beatles when I met George. They were just emerging. They certainly weren't as big as they became later on. I just knew them as a pop group, and that's all. I was keener on George as a man and a person, as opposed to someone in a band.
The Ramones were American, and I knew about them, and I thought they were interesting. But they were like a pop band to me.
For a long time, I was an assistant in the NFL to George Allen, and George was paranoid that other teams were cheating on him... that they were offering bounties, that they were wiring our locker room, that they were putting food poisoning into the pregame meal of the other team's stars, stuff like that.
I remember once walking out hand in hand with a boy I knew, and it was summer, and suddenly before us was a field of gold. Gold as far as you could see. We knew we'd be rich forever. We filled our pockets and our hair. We were rolled in gold. We ran through the field laughing and our legs and feet were coated in yellow dust, so that we were like golden statues or golden gods. He kissed my feet, the boy I was with, and when he smiled, he had a gold tooth. It was only a field of buttercups, but we were young.
It was a very lucky set of incidents that led to Wham! getting a record contract - although we weren't Wham! when we got the record contract. We were nothing; we were just two friends who had written a few songs.
We were the best of friends. We monkeyed around recording sketches and jingles in George's bedroom. On November 5, 1979, I phoned George and said 'It's now or never.' Then we formed our first band.
My parents were serious working musicians, but they were not stars - not like pop stars that you have now. They had to make a living and that meant touring, working hard, going on the road - and we were roped in.
I think that breaking into the mainstream - it was just the right cycle of music for us in Blink-182. People were kind of over the boy-band, pop-princess, manufactured sensibility, and were excited for guitars and angst and energy and enthusiasm, which is our thing.
The Strokes, you bond when you're 18, and you're friends. The feeling's different. When all of us get into a room, we feel like the same people from before. We weren't anybody; we were just hanging out. It's hard to understand if you're not in a band. You're one-fifth.
I remember when I was a kid, if you had your name on a piece of vinyl, man, you were, like, in the halls of Valhalla; all of sudden, you were hanging out with Odin and being at the table of the gods. You were the real deal; you weren't some guy struggling in a garage somewhere.
We were derided as a boy band, with pop music and not really country.
Most of my ukulele heroes were traditional players from Hawaii, like Eddie Kamae and Ohta-san. There may not be uke stars in popular culture, but there are certainly pop stars that play uke - George Harrison, Eddie Vedder, Taylor Swift, Train, and Paul McCartney.
I guess because we're essentially a two-man band, we're attracting Wham's crowd. But Wham! are more of a businessman's band.
There is so much good music from our scene in the U.K., and I'm happy I'm part of that movement. For a long time, we were trying to do what the Americans were doing, we were trying to do what the pop stars from England were doing, and we just didn't understand.
The Beatles were something everyone had in common; this was thirty years ago, there was Dr. Who and everybody knew who the Daleks were and there was The Beatles and everybody knew who George Harrison was.
I've had to deal with everything but everyone has helped me, including Sir Alex Ferguson, to get through. George Best was a good friend of mine. We loved each other, we both knew where we were coming from.
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