A Quote by Keren Woodward

The '80s don't seem to have gone away. Most weekends in the summer we're off doing a festival in front of 10,000 or 15,000 people with a load of other '80s acts. It was just such a great era for music, for individuals and characters. It just had a spirit.
It's so incredible performing in front of 10,000-15,000 people singing along and giving off great energy.
I make a lot of money off featuring, doing songs with up-and-coming artists. I can charge someone $10,000 to $15,000 to do one song.
I first visited the Toronto fest in 1979, its fourth edition, when it was known as the Festival of Festivals and had an audience of about 40,000. I happily returned to the 10-day skein nearly every year thereafter, as attendance swelled to 400,000 and it grew into the most influential film festival in North America, perhaps the world.
I love nostalgic pop music. The '80s especially, to me, is the greatest era of songs. I just love the '80s so much.
We played at a festival in Mexico City, at the same time as another famous artist, and I reckon we had 55,000 people watching New Order; the other had 7,000. I think from that I've discovered the secret of success in the music industry: don't do any promotion.
We, Homo sapiens, destroyed the majority of the large mammalian species in North America and Australasia just over 10,000 years ago. We, Homo sapiens, now are destroying the other species that presently exist on this planet at a rate of about 15,000 to 20,000 per year.
I always enjoy it when I walk on stage. There were some times when I was working so much in the '80s, and I felt really burnt-out. But I'd be up there singing and not be 10,000 million miles away, you know, just opening my mouth and the words coming out.
I have a lot of difficulty in a business culture that is only interested in making money. I can't see the point. What's the point of spending £10,000 just to make £20,000? Why not just keep the £10,000?
The air in a man's lungs 10,000,000,000, 000,000,000,000 atoms, so that sooner or later every one of us breathes an atom that has been breathed before by anyone you can think of who has ever lived - Michelangelo or George Washington or Moses.
At first, I was playing in front of 10 people in a park, then 1,000, then 10,000, then 80,000 and you are on television. I have done it step by step, so it is not a problem. There is no lack of confidence to be on the field, in front of many, many people.
It's lonely at the top. Ninety-nine percent of people in the world are convinced they are incapable of achieving great things, so they aim for the mediocre. The level of competition is thus fiercest for "realistic" goals, paradoxically making them the most time-consuming and energy consuming. It is easier to raise $10,000,000 than it is $1,000,000. It is easier to pick up the one perfect 10 in the bar than the five 8s.
I like to go out there and be organic and improvise off the energy I feel from the crowd, whether it's 50,000 or 20,000 or 10,000 people in the audience.
I love the 80s. I always used to watch that VH1 show, 'I Love the 80s,' nonstop. I love the 80s, everything about it, the clothes, the music. Especially the music. The music is so happy. It's great.
I don't have a goal of playing in front of 10,000 people or 100,000 people, it's about seeing the journey and the progress. Like how each show, you have 200 more fans or 400 more fans. It's just fun.
I've always felt that, when I looked at my tombstone, it shouldn't say, 'Mehmet Oz banged out 10,000 open-heart operations.' I've probably done 5,000. Am I any better at it than 10,000? He shook his head. It's just a different number on the tombstone.
If there's 10,000 people looking at the stocks and trying to pick winners, one in 10,000 is going to score, by chance alone, a great coup, and that's all that's going on. It's a game, it's a chance operation, and people think they are doing something purposeful... but they're really not.
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