A Quote by Keri Hilson
Even at my biggest, I want to be writing for other artists. Even at my peak - the highest I can be as an artist - I always want to be keeping my creative juices flowing, keeping money in the bank, putting my intellectual property out there.
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I think there's a responsibility more as an artist to try and push in the direction you think comedy should go... The biggest thing I could do for the art that I love was keeping it art: keeping it special, keeping it honest, keeping it truthful.
You could carve out the inside of a brick and hide your money in it for safe keeping. It’s certainly safer than keeping it in the bank!
I do a lot of writing in my capacity as the creative director for a marketing agency. These days, though, I'm trying to write a little bit most evenings just to keep the creative juices flowing.
You start to become successful, and everybody starts to drive your money train to the bank, and they're not thinking anymore about what you want as an artist or if any of that even matters to you. It genuinely upsets people in my life that I don't care about money, and that's not my problem.
Part of your job as an artist is to push yourself and make sure your creative juices are flowing.
Sometimes when people get success they forget about the people that pointed them there or championed them into this position. I pride myself on really understanding. I wouldn't even call it keeping it real. I just call it keeping it me. When they tell me, "You're doing what you're supposed to do," it makes me go ten times even harder, because I know that there are people on the sidelines and they're watching me. They're cheering for me. I want to be the best me I could possibly be when it comes to them.
You can't always do that which you can do in your sleep. That doesn't fulfill an artist. You're looking for places where you can grow, in some way, whether it's a large way or a small way. I want to grow as an artist, as a person and as a woman. I want to enjoy myself and my life and the company that I'm keeping. I want to bring something to the table that's different than anything else would bring, but that has its place and value, and then keep moving.
It's difficult to get your creative juices flowing if you're always being practical, following rules, afraid to make mistakes, not looking into outside areas, or under the influence of any of the other mental locks.
I got out of the business because I went from being the biggest artist on my record label to someone they didn't even want to have around.
I don't want to be poor. I don't want to be rich to the extent that all I care about is keeping my job. I don't care enough about keeping my job right now. That's good. That makes effective at what I do. I don't want to be frightened of getting fired. So to that end I suppose my ambitions are that I spend less than I earn.
I feel self-conscious for even having met so many other band people and artists, I don't want to be that artist that is only able to talk about themselves and their own band. I don't want to be that person. I'd rather just be quiet than be that person.
I've not given up my keeping, I want to make that very, very clear. I'm still working hard on my keeping and it's something I still want to do.
Although in society in general, the idea of an Irish composer of 'classical music', or whatever you want to call it, is still a strange item, generally speaking. Even in the arts, among our fellow creative artists in other disciplines, you still feel slightly out of it.
The visual world has blown up, the world of writing has blown up; there's so much text online. Anyone and everyone can express themselves. It's a lot to think about as an artist. Also, that the persona of the artist might actually be of some importance. When I came of age, it was important to be quiet and hang back and be mysterious. I knew artists who didn't even want to show up at their own openings. They never wanted to have their picture taken, didn't want to autograph a book, didn't want to answer a question. I came of age in a world where it was "Let the work speak for itself."
For us, not cooperating in the monopoly regimes of intellectual property rights and patents and biodiversity - saying "no" to patents on life, and developing intellectual ideas of resistance - is very much a continuation of Gandhian satyagraha. It is, for me, keeping life free in its diversity.
There are people out there who don't see value in intellectual property, and so they're always going to have a problem if there are lawsuits involving intellectual property.
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