A Quote by Keri Hilson

Timbaland's so wishy-washy sometimes - he'll hate a song at first and then love it, and then maybe go back to not liking it as much as something else. — © Keri Hilson
Timbaland's so wishy-washy sometimes - he'll hate a song at first and then love it, and then maybe go back to not liking it as much as something else.
I will have a song that I'm in love with for a couple of months and then I'll go to something else. That's just constantly changing. And sometimes I will go back to old one that I haven't heard for a long time.
I have no one else involved in the writing process. I would hate to feel that I was going into the studio with something wishy-washy and not done. It's because I'm a control freak, so I want to know that everything is sorted and what's going to come out the other end, obviously with a bit of leeway.
I was more wishy-washy in the first 12 years of my career, just because that was my personality.
I tend to write some, then outline some, then delete some, then go back and rewrite some. I love revising and hate first drafts. I have to wear bedroom slippers. My current favorites come from the Zetter Hotel in London. They have little tobacco pipes on the toes.
The best way to write a song is to think of something else and then the song kind of creeps in. The beginning makes no sense whatsoever. It just, like, rhymes. And then all of a sudden I'll go into, I am an old woman named after my mother.
I never want to record something that I'm not proud of just because I think it might be a big hit. There's no positive about that because if you record a song you hate and it's a big hit, then you're singing a song every night that you hate. And if you record a song that you hate and it isn't a hit, then you sold out for no reason.
You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.
I'm one of those people that I make a song... then I write another song and then I'm like, 'But this song is so much better than this song,' and then I kind of ditch that song. It's a long process.
I think my first love is film. There's something about the span of it and the completion of the experience. You sit down for two hours, in the dark, and you go somewhere else, and then you come back, having completed a journey.
Sometimes it has to do with other longings that are much more existential. Sometimes you go elsewhere not because you are not liking the one you are with; you are not liking the person you have become.
I don't want to be close with anyone who's wishy-washy.
You ride one in to the beach, and it's the most amazing thing you've ever felt. But at some point the water goes back out; it has to. And maybe you're lucky-maybe you're both too busy to do anything drastic. Maybe you're good as friends, so you stay. And then something happens-maybe it's something as big as a baby, or as small as him unloading the dishwasher-and the wave comes back in again. And it does that, over and over. I just think sometimes people forget to wait.
Once the song is done and recorded, I like to go back and then cut the drums, because then I know exactly what the song needs, and what it doesn't need.
Work will win when wishy washy wishing won t.
When me and Eric did songs back in the day, we didn't go and sit down in front of no A&R. We made our album, and then, when we finished, we handed it in, and then we picked the best song for the first single.
I'll get a few words and then go back to the music and then back to words, and play them off each other - and then I'll bring the song to the band.
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