A Quote by Kerli
I love graveyards. To some, it might sound morbid, but there's nothing dark about the natural cycles of life, really.
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I love playing different characters and I love doing fun things and I love to entertain people, whether that be in a comedy or a drama. If I get you to laugh or I get you to cry I'm super stoked, as morbid as that might sound.
When I was younger, I loved graveyards. They weren't spooky so much as mysterious. Each tombstone another story to uncover. Another life to learn about. Now that I'm older - I won't say how old - I hate graveyards. The only life - or rather death - I see in the tombstones is my own.
As weird as it might seem to some people, there is nothing I love more than an empty house and the sound of silence.
One of the things I've probably absorbed when I was in business school - and didn't know I was learning it - was about life cycles, that things begin, and they peak, and then they decline. So whether you look at life cycles of fashion, or you look at life cycles of things that people buy, designs, everything is in a life cycle. Getting out of the apparel businesses and into beauty and lingerie, those were very big bets, but they were very deliberately thought about and tested over time.
Visit the graveyards sometimes and read the headstone epitaphs! There is much to learn from the dark face of the life!
When I go to the cinema, I want to have a cinematic experience. Some people ignore the sound and you end up seeing something you might see on television and it doesn't explore the form. Sound is the other picture. When you show people a rough cut without the sound mix they are often really surprised. Sound creates a completely new world. With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue I think expositional dialogue is quite crass and not like real life.
Most species do their own evolving, making it up as they go along, which is the way Nature intended. And this is all very natural and organic and in tune with mysterious cycles of the cosmos, which believes that there's nothing like millions of years of really frustrating trial and error to give a species moral fiber and, in some cases, backbone.
Because I am a bad girl, people always automatically think that I am a bad girl. Or that I carry a dark secret with me or that I'm obsessed with death. The truth is that I am probably the least morbid person one can meet. If I think more about death than some other people, it is probably because I love life more than they do.
My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that's just the way it is.
To me, I took a militant attitude towards sounds. I wanted sounds to be a metaphor, that they could be as free as a human being might be free. That was my idea about sound. It still is, that they should breathe ... not to be used for the vested interest of an idea. I feel that music should have no vested interests, that you shouldn't know how it's made, that you shouldn't know if there's a system, that you shouldn't know anything about it ... except that it's some kind of life force that to some degree really changes your life ... if you're into it.
The voices blend and fuse in clouded silence: silence that is infinite of space: and swiftly, silently the sound is wafted over regions of cycles of cycles of generations that have lived.
Less emphasis on inventories, I think, may tend to dampen business cycles, because business cycles are typically in the grasp of inventory cycles and heavy industry cycles.
We need to be reminded that there is nothing morbid about honestly confronting the fact of life's end, and preparing for it so that we may go gracefully and peacefully.
The morbid states of health, the irritableness of disposition arising from unstrung nerves, the impatience, the crossness, the fault-finding of men, who, full of morbid influences, are unhappy themselves, and throw the cloud of their troubles like a dark shadow upon others, teach us what eminent duty there is in health.
It often happens that you leave your house in the dark, shoot on a sound stage without natural lighting, and then go home in the dark. A whole week can go past, and it can feel like 12 hours.
Some nights I might wear some crazy stuff. Some nights I might be more regular. I'll wear shoes that no one knows and is a sleeper, but it might be something that I really love.
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