A Quote by Kerli

I call myself 'Bubblegoth.' I'm really into the goth and industrial stuff, but also the cute and rave-ish stuff, so I'm trying to put it all together. — © Kerli
I call myself 'Bubblegoth.' I'm really into the goth and industrial stuff, but also the cute and rave-ish stuff, so I'm trying to put it all together.
I was young, but to me that was underground music. I had never heard anything like Venom or any of that stuff growing up in Louisville. That was sort of the only weird records I could find. All that stuff would be in the import section. And sometimes there would be some sort of goth type of stuff. But that was the stuff I was attracted to.
You're really spread out now, you've got stuff all over the WORLD! You've got stuff at home, stuff in storage, stuff in Honolulu, stuff in Maui, stuff in your pockets...supply lines are getting longer and harder to maintain.
I have a lot of intention behind what I put out there. The reason all this stuff I do works together, the environmental and social, collaborating with ballet companies to score a show, the bike tour - all of that stuff comes together through community building with music.
There's only so much stuff you can buy. I have to retail the stuff. Stuff that's really really weird - it's cool, but who are you going to sell it to? I do collect some stuff. In the end, I have to run a business.
That's why I'm really trying to produce my own stuff. This film was so good, because I produced it myself, and developed it, and made it with New Line, which is a smaller studio, so I was in control of a lot of stuff that I wasn't in control of for my other films.
What I love about the 'State of Syn' concept is that, while it's exploring science fiction, it's also trying to explore the future of film and television and the Internet, just in the nature of how they put it together and promote it and add apps and all that kind of stuff.
When people talk about wanting to have children someday, what they really mean is that they want babies. Nobody wants an angry adolescent. Nobody wants an obnoxious seven-year-old trying to wear out dirty words they just learned in school that day. What they really want is cute, adorable babies who love you and need you. The bad stuff is just the price you agree to pay for having the good stuff.
Teenagers are very dark, I think. That's all the goth and emo stuff. They're experiencing a lot of stuff that adults experience, but in a much more raw way. It's that extremity that I'm interested in, to be able to go down so far and come up so quickly.
Look how Bill Cohen and George Mitchell worked together. It's the stuff of legends. And now it's the stuff of almost ancient history, regrettably, but the way those two really worked together.
When I work on a part, one of the things I love to do is to put together a collage of things, stuff I see or stuff that inspires me, images, whatever.
A lot of the stuff I was on 'All Stars,' it wasn't new, it was all stuff out of my closet and stuff that I made myself.
My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
All the work I do is personal, so the good stuff and the bad stuff that you see in there is all good stuff and bad stuff that I have, and part of the journey, for me, has been to embrace these things that I find embarrassing about myself: my stubbornness, my ego, my maudlin-ness - these things that I see myself do, and I go, 'Oh, David, stop that!'
I know what my sweet spot has been. It's personal stuff, dysfunction, fear of intimacy, family stuff, psychology stuff. I eviscerate myself onstage.
I've started my own record label - Jeepney Music - and I want to put out my own stuff and also stuff by other Filipino artists.
You’re really cute, Midori,” I corrected myself. “What do you mean really cute?” “So cute the mountains crumble and the oceans dry up.
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