A Quote by Kerli

I learned about this talent show on TV that was basically the Estonian version of 'American Idol.' So I lied about my age, went on the show, and won. I think my story is about working really hard and dreaming really big.
I think it's really hard to say now what makes a show kind of sink or swim, and what creates longevity. For instance, I think that Survivor is a very well produced show. It's very simple, it's very elemental, and I think it gets into big issues. I think American Idol has been an amazing show for many, many seasons.
'American Idol' was just really a platform. What you do after that is what separates you from the show. And I've been working really hard, touring constantly, and building those fans. You've got to work hard.
I thought about going onto the first one, Pop Idol. My mum was saying, 'Go on!' But I decided not to. 'The X Factor,' though, doesn't really seem to be a show about musical talent anymore.
I was 14, when I wanted to be an actor. My parents were basically like, "This is a very hard life, and you have to be really serious about it, and show us that you're serious about it. You can't drop out of school." They strongly encouraged me not to act professionally until I finished college, which I didn't. And I think they should have been horrified! It's a really hard life. I'd be really scared if I had a child who wanted to be an actor.
The idea was called Justin.tv. The idea behind it was, basically, to create our own live-video streaming show, like 'Big Brother,' about ourselves, these entrepreneurs trying to make a reality show. It was a little bit meta and we launched this show.
I am wary of repeating myself too much. In this age of Netflix, as a Netflix show, if you want to go back and watch a season 1 episode, you can do that easily. I'm not interested in repeating the same story beats over and over and over again. But part of the truth of BoJack story is about how much he repeats himself and these patterns that are difficult to get out of. I'm trying not to be evasive about that. I'm not using that as an excuse. I think that's convenient to fall back on as a TV writer: "Oh, it's a show about stagnation."
We really just try not to think about the scrutiny and the pressure. We're just trying to make the show that we like, and we're working really hard at it.
We are in a diversity age. I talk about the lack of diversity for black Americans, but what about the Asian Americans? You don't see them very often. They have a show called 'Fresh off the Boat.' No one is talking about that show. I saw it, and I found that show completely offensive, but I'm not Asian American.
What was really great with Eleanor Roosevelt - I mean, of course, we all have this stereotypical, really satirical almost, version of how she speaks. What was really interesting to me was I found various radio and TV appearances of hers, but there was one talk show that I saw her on; she was the only woman, it was all men. They were talking about policy - I think it was after she was First Lady. I think it was more in the U.N. days.
I did have a sense of parental pride in that character. For 20 years now my films and the TV show have been the only version of Peter Parker. So I wanted this new version, for a new generation, to be really good. I still care about it.
In order to put it into perspective, as an actor, it's super hard to get on a TV show. If you get on one, it's super hard for that show to be reasonably successful. All of that, on paper, seems pretty special. It's the sum of the parts, really. To roll the dice and come up with this particular show is pretty fortunate. I'm very happy about Silicon Valley series. It's changed everything for me.
I think that a movie of a TV show is really tricky, and I don't know if it's ever really been done well. Because it's really hard if you have a 22-minute show, especially something like 'Party Down,' where it's all contained at the party.
Obviously, the 'Glow' show is a real feminist story. I knew it would be about female empowerment, and that was really exciting to me. Having some distance on a period show, I think you can really delve into those kinds of political topics in an in-depth way, and a lot of that reverberates today.
I think the name of the show, 'This American Life' - we named it that just because it seemed like it made the thing feel big. But we don't think about whether it's an American story or not. We happen to be Americans. I think for the stories to work, they have to be universal.
I'd like to prove that just because I'm on a TV show about the area that I live in, it doesn't mean that I can't do anything, that I'm not strong - and I really hope that I show that.
The thing about working on a Ryan Murphy TV show is that he has such an extraordinary collective of artists, so everyone is really like a family.
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