A Quote by Kerri Green
I had a chance to get used to the lights and the camera without all that pressure to... emote.
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'Gutur Gu' is a silent comedy, which I had never done. I wanted to do something out of the box. It's exciting, tough, and fun. Dialogues are very important for actors, and to emote without them took some getting used to. It's giving me scope to learn a lot.
As a kid, I used to see how Sachin Tendulkar used to win matches under pressure for India in Sharjah or other places. So I was always keen to repeat the same in similar situations. I don't take pressure on myself when I am in the middle. I love pressure, and I always believe that pressure makes you more focused.
The stigma that used to exist many years ago, that actors from film don't do television, seems to have disappeared. That camera doesn't know it's a TV camera... or even a streaming camera. It's just a camera.
I am a product of theatre and whatever I learned there helped me emote in front of the camera.
My uncle is an actor, my dad is a producer, so they asked me if I was interested, and I was like, 'How can someone act in front of so many people with lights and emote.'
I used to be a kid with a camera, and that used to be kind of endearing to people. Now I'm sort of an old lady with a camera.
Most times you do a movie every place except for what the camera sees is just a mess with the lights, people, and cameras so you get used to it. There is no way to shut that out, there is always a constant reminder of how many people it takes, what is going on and how many elements that goes into making this scene look right.
It's like I tell everybody, if you get a chance to win the Royal Rumble or the King of the Ring back when they had it, that means you're gonna get a push. You getting an opportunity at something big, and it can really set up your future for you. So if you're that guy, boy, it's pressure.
Watching Sridevi emote was an experience. She was very quiet on the sets. But once in front of the camera, all her energy would be unleashed.
I had to get used to seeing Samantha Bee around. I had to get used to seeing Jon, like, getting a bagel, and to John Oliver, and all these people whom I had seen on TV. Colbert would sometimes drop by. I had to get used to being a part of this multiple-Emmy-winning machine and being this 22-year-old black girl who was really green.
I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing.
The more comfortable you are in front of the camera the more you can emote well. If you are confident then 90% game is won.
I had more pressure when I competed in Moscow. I had no pressure in Montreal because I only went to do my routines and hoping I didn't mess it up when I was on the bar. When I came back, 10,000 people were at the airport and I thought, 'Why?' because, in my mind, I hadn't done anything different from what I used to do in my gym.
I used to drink, I did, I had to quit. Man, I was an embarrassing drunk. I'd get pulled over by the cops, I'd be so drunk I'd be out dancing to their lights thinking I'd made it to another club.
When a player joins Real Madrid's first team, they're often under pressure to be an instant success. By joining Castilla, I had the chance to understand the club and get to know the players, the culture, the country and the language.
Under the lights, there's a lot of pressure, my first big show. The mental pressure drained me out a bit. I was fit and healthy, but I was thinking, 'Why am I tired?' There are so many things that go on in there.
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