A Quote by Kerris Dorsey

I love dance; that's a big part of my life - like, ballet specifically. — © Kerris Dorsey
I love dance; that's a big part of my life - like, ballet specifically.
I've trained in dance for most of my life, but ballet was the thing I left behind the earliest because they felt like I didn't have the right body for it, and I didn't like that and never felt like I could be a part of that dance structure.
I grew up going to see my sister dance, both at the ballet and later as a modern dancer, and have always been a big fan of the ballet. So I have had a long relationship with dance.
I got the part [in Into the Forest], I started taking ballet again to try to regain my strength back. I actually love that it was changed to Crystal Pite's modern dance. And I wouldn't even really call it modern dance because it feels like it's in its own genre.
When I was in eighth standard, I have been dancing since then. I love to dance. Dance has been my life all this while. Then I became a dance instructor. I have learnt jazz, hip-hop, ballet and many other forms.
Dancing is a part of my life where when I don't dance I feel like there's something missing because I'm such a physical person who loves to express myself through dance, but I love to act. I love to sing. I love to entertain so if I'm passionate about a certain project, I wanna do it.
It's nice for me to have a ballet as a kind of platform for creativity, because unlike modern dance or contemporary dance or downtown dance, ballet is formalized, and there's something orthodox about it that I like. I like that there's less emphasis on subversion and innovation. I actually think that my musical vernacular or my musical voice is also less inclined toward innovation and subversion. I think I'm a traditionalist.
Ballet might be too formal of a title for the type of dance I do, but I love to dance. I love to draw and paint; I do ceramics and photography. I'm interested in a lot of creative stuff.
In the ballet studio, it was such an organized and disciplined environment, like I'd never had in my life. Seeing myself in the mirror, surrounded by the classical music, that's when I started to fall in love with dance.
You know, ballet might be too formal of a title for the type of dance I do, but I love to dance.
I trained as a ballet dancer till I was 18, so I would really like to get back to it. I'd love it if there was a part that meant I could do both acting and ballet, as they're both so close to my heart.
'The Firebird' just symbolizes a lot for me and my career. It was one of the first really big principal roles that I was ever given an opportunity to dance with American Ballet Theatre, and it was a huge step for the African-American community, I think, within the classical ballet world.
I love music; I love dancing. I took, like, eight years of ballet when I was a kid, and I still love dancing. There's been a couple of films where I was able to do some dance numbers, like 'Romy and Michelle' and 'Summer of Sam,' and I'm so happy when I get to do that.
Dance and I are synonymous, and nobody can take away dance from my life. Also, I cannot look at dance in an inert way; it's my passion, and I get keen on being part of any show or film that has dance!
Ballet found me, I guess you could say. I was discovered by a teacher in middle school. I always danced my whole life. I never had any training, never was exposed to seeing dance, but I always had something inside of me. I would love to choreograph and dance around.
My favorite workouts are the ones that don't feel like I'm working out! So, dance is a big one. Another is any kind of isolated moves, like ballet moves. Anything that works the glutes and legs - sign me up! And I like to blast the music. I have to get lost in the music. That helps.
I think American Ballet Theatre is setting that standard now for classical ballet, that you can dream big, and it doesn't matter what you look like, where you come from, what your background is.
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