A Quote by Kerris Dorsey
Often when you're a teenage girl, you get sent characters that are so unenjoyable and unexciting.
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Things have changed a lot since the earth was cooling and I was a teenage girl, but the basics of teenage bedrooms have remained the same. Every girl wants a place that they are proud to call their own and where they can express their own individuality.
I've always had a teenage thread running through my music. On my first album, I had a song called 'Confessions of a Teenage Girl.' It's about using your feminine wealth to get what you want.
I always liked movies like 'American Graffiti' and 'Gregory's Girl.' 'Gregory's Girl' is particularly perfect because it really captures that summer holiday bubble of teenage utopia. Even though it's got a happy ending, there's a feeling that these characters may never see each other again.
I was a teenage girl once. I was not an overweight teenage girl, but I had really bad acne when I was 11 or 12 years old. It was heart-rending, and people made fun of me. People whispered when I walked by in the hallways, and I was sure they were whispering about me. My adult perspective is maybe they weren't.
When I got the script to this movie, The Good Girl, I read it in an hour. The writer, Mike White, has an ability to create characters that are so creepy and dysfunctional and human, with this duality that makes people feel empathy for them at the same time. My first thought was 'Was this sent to the right person?' I called my agent. 'Are they sure? Let's say yes before they realize they've sent it to the wrong person!'
It's funny: I always, as a high school teacher and particularly as a high school yearbook teacher, because yearbook staffs are 90 percent female, I got to sit in and overhear teenage girl talk for many years. I like teenage girls; I like their drama, their foibles. And I think, 'I'll be good with a teenage daughter!'
Do I seem to play characters that in the end don't get the girl? Maybe. But you don't always get the girl or the guy, and there has to be someone to play that.
I often have scripts sent to me with allegedly Scottish characters where I end up telling them, 'You're going to have to rethink this whole thing!
I often have scripts sent to me with allegedly Scottish characters where I end up telling them, 'You're going to have to rethink this whole thing!'
I mean when I was working shall we say with Disney, you know they sent me the script for the film Hercules and I had to imagine what all the characters looked like. And to develop those characters, so nothing exists visually when I get the script.
When I get recognized for 'Twilight,' it's usually a teenage girl, and they're usually really loud. So it certainly feels like I get recognized the most from that, but it could just be because of the nature of how vocal those fans are.
In the forties, to get a girl you had to be a GI or a jock. In the fifties, to get a girl you had to be Jewish. In the sixties, to get a girl you had to be black. In the seventies, to get a girl you've got to be a girl.
I think part of the pressure put on 'strong female characters' comes from the fact that there is so often 'the team girl,' who must be all things to all people. Part of avoiding that is having as many female characters as I can, and allowing them to thrive in their own right, not inside a framework they didn't ask for and don't want.
When I did these psychological characters like the drug addicts, the ones who were rejected and dejected, I started to feel a sort of melancholia which was very unnatural for me to have at a teenage. Then I avoided those characters.
If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.
I have often wished in the past few years that my mom were here to help me as I raised my own teenage son. As a girl, with my own mom, I thought I knew it all; now I know better. Somewhere, I know my mom is smiling.
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