A Quote by Kerry Bishe

I'm obviously interested in playing characters who have autonomy, who drive the story. — © Kerry Bishe
I'm obviously interested in playing characters who have autonomy, who drive the story.
I don't have a preference for bad people, no. I have an interest in playing a broad range of characters. Obviously, I'm mostly identified with a character who is very responsible, very solid and very intelligent, but there are plenty of questionable characters in my past career. I'm interested in exploring theatricality and characters with some dimension.
You can do all of the world-building you want; at the end of the day, what's important is the heart and the drive of the story and the heart and the drive of the characters.
I really enjoy playing intelligent characters. I'm more interested in that than just emotional kind of Mum characters.
I don't use recurring characters. I do get very interested my characters while I'm working with them, and I find the process of fitting them into a story, and allowing them to create the story around themselves, fascinating. But no, I don't imagine they have a life outside of what I make for them.
You are always hoping that movie audiences are interested in characters and interested in story values rather than just mindless special effects. But you never know.
Of course, I want to look the best I can, but I am playing characters that should match my age, and the women and the material that I am interested in are usually going through something. I have to be able to live in my face and tell the story of the character I've taken on.
I try to employ a different strategy for each story. Often, I'll have a specific look in mind before I even have the story to go with it. I'm not so much interested in forcing the issue of reader identification through various graphic tricks. I'm more interested in creating specific characters that resonate with my own particular inner struggles.
I prefer playing characters that are going through turmoil. Most movie characters are just in service to the story.
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
I'm not first and foremost interested in story and the what-happens, but I'm interested in who's telling it and how they're telling it and the effects of whatever happened on the characters and the people.
Settings are obviously important - and as a writer, you have to respect what was real at the time of the story you're writing. But the real key to success lies in finding the right characters to carry that story.
I'm first and foremost interested in the story, the characters.
I'm not particularly interested in playing characters that think the way I do.
In a novel there's not much autobiography. There are characters in transit. Naturally, I can project something of my experiences onto the characters, but they have their own autonomy, a personality that is often a mystery to me.
The themes, ideas and the characters from 'Skyfall' can obviously continue on, because it is a franchise, and it is an ongoing story.
For any film or any web show, the story dictates everything. If it is a good story, it obviously has good characters in it.
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