A Quote by Kerry Greenwood

You need a crime, a detective, and the solution. — © Kerry Greenwood
You need a crime, a detective, and the solution.
Occasionally, I have written about stories related to crime, but I have never attempted a traditional detective story. So I want to write a true detective story.
When you're a detective on the midnight shift, you don't have a specialty: you roll on any time they need a detective, whether it's big or small.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
Mma Ramotswe had a detective agency in Africa, at the foot of Kgale Hill. These were its assets: a tiny white van, two desks, two chairs, a telephone, and an old typewriter. Then there was a teapot, in which Mma Ramotswe – the only lady private detective in Botswana – brewed redbush tea. And three mugs – one for herself, one for her secretary, and one for the client. What else does a detective agency really need? Detective agencies rely on human intuition and intelligence, both of which Mma Ramotswe had in abundance. No inventory would ever include those, of course.
The best crime novels are not about how a detective works on a case; they are about how a case works on a detective.
A conventional crime story is simple - it's just a corpse in the river or something, and a detective with an alcohol problem.
When I was growing up, my stepmother's sister was the chief detective in one of the adjoining towns, so she piqued my interest in crime.
Mysteries include so many things: the noir novel, espionage novel, private eye novels, thrillers, police procedurals. But the pure detective story is where there's a detective and a criminal who's committed a murder and leaves clues for the detective and the careful reader to find.
I particular enjoy the crime writer, Walter Ellis Mosley. He does a series of Chandler-esque detective stories.
I think the detective story is by far the best upholder of the democratic doctrine in literature. I mean, there couldn't have been detective stories until there were democracies, because the very foundation of the detective story is the thesis that if you're guilty you'll get it in the neck and if you're innocent you can't possibly be harmed. No matter who you are.
Reading my way all the way through Sherlock Holmes gave me a lifelong love for crime and detective fiction.
When Sir Arthur Conan Doyle conceived Sherlock Holmes, why didn't he give the famous consulting detective a few more quirks: a wooden leg, say, and an Oedipus complex? Well, Holmes didn't need many physical tics or personality disorders; the very concept of a consulting detective was still fresh and original in 1887.
Crime makes for great drama and it's interesting because it delves into the darker side of us. Those kind of stories go way back, the detective and the criminal.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
The problem facing a comprehender is analogous to the problem that a detective faces when trying to solve a crime. In both cases there is a set of clues.
Trees and clean energy [are] the long-run solution but we have no time to wait for the long run. We need a short-run solution now, and one that encourages and facilitates the transition to the long-run solution.
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