A Quote by Kerry James Marshall
I try to tell a story when I'm playing. I try to make an emotional connection when I'm playing versus before I played just to play. Now there's a sense of purpose of why I play, of how I play. So people can actually feel what I'm saying to them.
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I've played people that are on the line of evil and good, but that's life. We are always playing with the good and the bad. I see them as people. I don't see them as caricatures. I try to not make them caricatures. Maybe I fail, but I try to see what' behind them. Would I play the hero? A superhero? I don't think so. But, I play good guys. There are some there, but you have to look.
It's like creating an artificial loop saying, 'You didn't play the game the way I wanted you to play, so now you're punished and you're going to come back and play it again until you do what I want you to do.' In an action game, I can get that – why not? It's all about skills. But in a story-driven experience it doesn't make any sense.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
I believe that I'm a special player. I think people love the way I just try to play. I don't try to impress anyone when I'm playing or anything. I just have a feel for the game.
Every city is different for playing, actually. That's one of the hardest things: to play abroad. Because sometimes you know your city and your audience and you know what to play and what people will dance to. And later, you go to a place and you think this thing will work and you start playing and it doesn't work, and you have to be able to go to another side just to try to find what people like or whatever, or, like, try to make people dance as they are more used to. I don't know, it's quite strange - people dance in different parts of Europe in a different way.
What kid doesn't want to play in MSG? I've been fortunate enough to play there many, many times during my basketball career. Every chance I get to play there, I try to embrace it. I just love playing there.
Playing at Kentucky, before 24,000 people, you have to learn how to grow real fast and play under pressure and playing on ESPN with millions of people watching. Right away, you learn how to play under control.
I'm not saying that what the radio plays isn't good. My issue is with what they don't play. You can play Jay-Z, but why don't you play Jurassic 5? You can play Nas and Nelly, but why don't you play J-Live? I want to open up the door to how it was back in the day.
Growing up, I played every sport I could play, so I didn't have much time, but when I wasn't playing sports, I was definitely playing video games. But my mom used to tell me that I could only play video games for two hours a day and then they would turn off the Internet so I couldn't play online.
Every team I play, I'm playing them like we playing the Golden State when they had Kevin Durant. Every point guard I play, I'm playing Steph Curry. Every shooting guard I'm playing, I'm playing James Harden. Every three-man I'm playing, I'm playing LeBron and KD.
Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
I just play to win. I play to be competitive; that's it. I think every player hopes that they do something special that everyone remembers later in life, or whatever. But that's not why we're playing. At least, that's not why I play.
I've felt it (shoulder soreness) since the first day I came, but more so now. Yesterday in the doubles I felt like I couldn't serve at all. I had a lot of pain. I decided to stop because without the serve it doesn't make any sense. It's better to stop and try to recover. If you play, you play 100 percent, not to suffer on the court...Hopefully I'll be ready for the Australian Open. I'll ask for a late start and try to recover. I can playing forehand, backhand, anything except serve.
I had that small injury on my ankle, but I know that I am not playing like I used to play and like I have to play. So I have to keep working and try to play much better.
When you're not playing up to your capability, you gotta try everything, to motivate, to get them going. All of them have to be on the same end of the rope to pull together. It's playing for the name on the front of the shirt, not the back. Individualism gets you trophies and plaques. Play for the front, that wins championships. I try to remind them of that.
When strangers walk up to me and want to play golf for money, I worry. I wonder why they're coming to me, and I begin asking questions: When did you start playing? What's your best score? Are you playing your best golf right now? Where do you play? Usually I can tell if they're lying.
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