A Quote by Kerry James Marshall
Part of the history of black people in the western hemisphere, in some ways, has been fleeing from this notion that they were black. So I can represent an ideal, and with that, you can demonstrate that there is nothing to be afraid of, nothing to run from, and that, in fact, a good deal of beauty that resides there.
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Black women are some of the most colorful women in the world. We come in all shadeshave so many hair textures..eye colors..body types. In this generation, it's sad to see so many black girls claiming ethnicities that they know nothing about in hopes of impressing a man or appearing 'exotic'. So many people act as if being black and beautiful is impossible. It's not. If we wanna get technical and look at our history, almost every black American is mixed. But we must stop implying that a woman's beauty comes from a part of her that is not black.
Black people's music is in a class by itself and always has been. There's nothing like it. The reason for that is because it was not tampered with by white people. It was not on the media. It was not anywhere except where black people were. And it is one of the art forms in which black people decided what is good in it. Nobody told them. What surfaced and what floated to the top, were the giants and the best.
Any black person who clings to the misguided notion that white people represent the embodiment of all that is evil and black people all that is good remains wedded to the very logic of Western metaphysical dualism that is the heart of racist binary thinking. Such thinking is not liberatory. Like the racist educational ideology it mirrors and imitates, it invites a closing of the mind.
X is not my real name. But if you study history, you'll find why no Black man in the Western Hemisphere knows his real name. Some of his ancestors kidnapped our ancestors from Africa and took us into the Western Hemisphere and sold us there, and our names were stripped from us and so today we don't know who we really are. I am one of those who admit it, and so I just put X up there to keep from wearing his name.
I first learned that there were black people living in some place called other than the United States in the western hemisphere when I was a very little boy, and my father told me that when he was a boy about my age, he wanted to be an Episcopal priest, because he so admired his priest, a black man from someplace called Haiti.
Let's face it: there aren't a lot of black superheroes. So, in dealing with a black superhero, you're going to deal with ugly history and the beauty of history.
Beauty has always been an ?element of discussion for black women, whether or not we were the ones having the conversation?. Out of necessity, black women have always had to consider others' perceptions of a certain beauty ideal, just starting with the skin color.
There was a great deal of inbreeding between the Indians and the slaves. Genetically speaking, black people are some part black, some part European.
There is an obsession with black tragedy. If you see a black movie, it's typically historical, and it tends to deal with our pain. And listen, there have been some excellent films made in that vein, and there are some painful parts of black history that should be explored, but it is kind of weird that only those films bubble up to the surface.
History has proven that art depicting black people cannot be disentangled from the political implications that such art has on their lives. As Africans were being stripped from the continent and sailed across the Atlantic to the Western world, depictions of black people in Western art changed in order to further render them racialized caricatures.
"Black culture" is ready for whatever. I sense some momentum and excitement around black artists (especially in comedy, which is where most of my own art resides), really pushing the bounds of what has generally been expected as black. I don't think it's a revolution so much as an exposure of what has always been there, and now that the production and distribution means are more accessible, people can more easily find each other.
I'm the descendant of enslaved black people in this country. You could've been born in 1820 if you were black and looked back to your ancestors and saw nothing but slaves all the way back to 1619. Look forward another 50 or 60 years and saw nothing but slaves.
For black people in the western hemisphere, if you can't generate a mythology that creates models of heroism and power out of the mythology that you had, then that means that somehow the mythology you had was not only feeble and weak, but that you are ultimately a powerless people. That's a notion that, I think, that can't be accepted.
I would say I'm black because my parents said I'm black. I'm black because my mother's black. I'm black because I grew up in a family of all black people. I knew I was black because I grew up in an all-white neighborhood. And my parents, as part of their protective mechanisms that they were going to give to us, made it very clear what we were.
The Clintons represent three decades of the Democrat party being completely sure of getting the black vote, while doing nothing to help the black community in return.
All black people who are even minimally conscious, black people who have ever experienced Europe's technological power crusading in the vanguard of a civilizing mission, have profound feelings of inferiority and bitterly regret the fact that the Industrial Revolution did not agreeably commence in Dahomey or Dakar. Nothing is achieved by concealing this fact.
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