A Quote by Kerry James Marshall
Paintings don't just happen. I am not a proponent of the idea of an artist as someone who kind of magically makes things and has no real control or isn't willfully producing a certain kind of thing. It is labor-intensive, and it is research-intensive. You are making one decision after another, trying to get at something you think is important.
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I like that feeling when you’re making art, that you’re taking the energy out of your body and putting it into a physical object. I like things that are labor-intensive : you make a little thing and another little thing and another little thing, and eventually you see a possibility.
Traditional agriculture was labour intensive, industrial agriculture is energy intensive, and permaculture-designed systems are information and design intensive.
The U.S. tends to export high-tech goods because we have strong comparative advantage there, and we tend to import labor-intensive and less skill-intensive goods that other countries can do more cheaply.
Making anything more labor-intensive makes it more expensive.
The next revolution, the next trend is to be an intelligence-intensive company. That has more value to society than a labor-intensive company.
My art practice is very detail-, labor- intensive and I think that that's a way of slowing myself down so that I can hear myself think. That quieter voice has sometimes the more interesting idea, if I can get to it.
You kind of notice what's going on in your body, and you can kind of feel a certain tightening, or fear, which is something that, as an artist, I've kind of befriended. I can pretty much count on it for anything that I engage in - that thing like, "Am I going to be able to pull this off?" Well, what am I gonna do with this feeling? The more nervous you get, the more worried you get about it. So you pay attention to what you might need.
There is the potential for much more spontaneity with prints than there is with the sculpture, which tends to be very slow, accretive kind of process-labor intensive.
The most important thing to a lot of people, is to belong to something that's hip or whatever. To be a part of something that's not society, just a clique. And they get real sidetracked trying to think like everyone else. They don't realize that you have to motivate yourself to do things you want to do. Some people just like going along for the ride. And those are the kind of people I don't get along with too well.
Sometimes, after I'd gone at the coke like one of those snow plows moving up First Avenue, I'd think my heart was over on the dresser, pounding, and I was watching it. I asked some of the doctors who drifted through the intensive-care unit what kind of effect total cocaine abuse has on the heart and they said things like, "Well, there's not enough valid information...." That kind of answer.
To be an artist and to be recognized by another artist who is, you know, just something you can't even put into words, someone that is so far beyond what the normal human being experience is in terms of creativity and originality. That was kind of a moment where I thought wow maybe I do have something more that makes me special.
Expectations are usually predicated on the idea that the everyday things that happen to ordinary people shouldn't happen to you. People hold the idea of being ordinary in absolute contempt, so when they face an illness, poverty, or any kind of catastrophe, they say, "I can't believe this happened to me." And who did you think it was going to happen to - the woman across the street? It makes them think, "I must be on the wrong path." But what if something you thought was bad was the best thing that ever happened to you? What if that was part of your path?
What you have to go through to release a film is probably the most arduous set of tasks - compared to all the other things an artist can release, it's probably the most labor - intensive, especially if you don't have any money and not a large team.
Now what kind of an attitude is that, 'These things happen?' They only happen because this whole country is just full of people who, when these things happen, they just say, 'These things happen,' and that's why they happen! We gotta have control of what happens to us.
I think you set up certain standards. I've always kind of believed in the Neil Pert way of making records where I'm trying to step it up every time I do something. You're trying to better yourself. You're also trying to make your audience or your listeners more interested. So, if you can up it, I think that's important.
I think it's important to have confidence, but then it's also important to try to try something new, to leave your comfort zone to try to grow. That's why I'm trying to grow as an artist and trying to figure out what kind of artist I want to be.
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