A Quote by Kerry James Marshall
Clarity is important. Part of what I'm trying to do with some of these pictures is eliminate as much of the potential, as many kind of readings as people might want to make, as possible.
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I feel like when you say 'activist,' you have to have so much clarity, and I don't always necessarily have so much clarity on how I want to help others, I just have this weird, deep urge to help other people. I'm trying to let God guide my body and use it as whatever kind of vehicle or vessel it needs to be.
The trouble with Hollywood is that too many of the top people responsible for pictures are too comfortable and don't give a damn about what goes up on the screen so long as it gets by at the box office. How can you expect people with that kind of attitude to make the kind of great pictures that the world will want to see?
I don't like to see people using their power over others, trying to hurt people who are weak or poor or people with darker skin or anyone who doesn't have as much privilege. It makes me so angry. I want to fight for people. I want to be able to make some kind of difference in the world.
I want to defend my title as much as possible and make magic with as many people as possible.
There are limits to how much sound a cello can make. That's part of the framing of acoustical instruments. Finding what those limits might be, and then trying to suggest perhaps even the illusion of going beyond is part of that kind of effort.
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
The most important investment you can make is in yourself. Very few people get anything like their potential horsepower translated into the actual horsepower of their output in life. Potential exceeds realization for many people...The best asset is your own self. You can become to an enormous degree the person you want to be.
Rookie year you get out there and want to make as many plays as possible, then second year you want to be perfect, and then you kind of find a combination between the two - making a lot of plays and trying to be as perfect as possible.
I wouldn't be myself if I weren't always trying to be someone else. I only have so much time on this earth and I want to be as many people as possible.
I want pictures like these. The kind that can capture a moment, make it real, make it last. I need pictures that do more than reflect. I need pictures that are truth.
So much of my writing process is trying to eliminate any kind of shame or fear of the thoughts that I'm having. Where I would usually backspace, I stop and say, "You know what? This is important, that I say how I feel and don't sugarcoat it, and don't avoid it." In my experience when I do try to avoid something, it makes its way into the work anyway. To be in front of it and just make friends with it is easier for me.
What I want is the world to remember the problems and the people I photograph. What I want is to create a discussion about what is happening around the world and to provoke some debate with these pictures. Nothing more than this. I don't want people to look at them and appreciate the light and the palate of tones. I want them to look inside and see what the pictures represent, and the kind of people I photograph.
There's this phase in the middle of the process where there's still the potential that this will be great, but it's not a blank sheet of paper anymore, and that phase is always my favorite part and the part that I tend to want to stretch out and spend as much time in as possible.
What people really want is not to make something funny, but to make something amusing - which, in many ways, is the opposite of funny. To amuse someone is to eliminate discomfort and awkwardness, kind of like a massage for the brain, while to be funny is to point out awkwardness and discomfort. Everyone thinks they want funny, but they really want amusement.
I never want to make videos with people who don't want to make them with me. I don't want to force people to take part. Only people who want to collaborate. And that's important because otherwise, the videos wouldn't work. Them choosing to take part is very important to the videos.
In this life we have to make many choices. Some are very important choices. Some are not. Many of our choices are between good and evil. The choices we make, however, determine to a large extent our happiness or our unhappiness, because we have to live with the consequences of our choices. Making perfect choices all of the time is not possible. It just doesn't happen. But it is possible to make good choices we can live with and grow from.
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