A Quote by Kerry Washington

I don't think I'm even close to fulfilling my potential. And I think also that, unlike a pianist or a flutist, an actor has an instrument that is constantly changing.
My body is an object of work. That's why I think to be an actor is one of the most violent jobs. If you're a pianist, you have your piano. If you're a guitarist, you have your guitar. But if you're a dancer, or you're an actor - your instrument is your body.
The Internet is changing the way we think of our relationship with government; it has the potential to bring to life what Abraham Lincoln said about the presidency being an instrument of the people.
As an actor, I don't really think you find yourself. I mean, once you find yourself, I think it becomes boring and you become set in your ways. I think, as an actor I think it's not a bad thing but more of a gift. It's something you're always doing as an actor. You're adjusting constantly.
Unlike films, theatre allows you to experiment as an actor, which is fulfilling.
Society is changing constantly, and changing faster than we think.
I'm a flutist so I know what they can deliver in terms of texture and sound and blurriness and softness. It's a very soft instrument.
I've seen up close the benefits and drawbacks of kids working with super-strong chess programs in their training, and they definitely think differently than past generations thanks to this alien influence. While we are making our machines more intelligent, they are also changing how we think.
I was going to be a concert pianist, and when I was in high school, my parents were scared to death that I would focus too much on that too soon. And that I'd end up in some sort of dead end, and not fulfilling whatever potential they thought I had.
In the beginning you can think, "The world is like a stage. I am only an actor. God is the director. All are His instruments, all are just ac­tors. He is directing everything." But do not always remain at that level. Move on. Think, "I am the un­changing Atma, not this changing personality and body."
I'm constantly changing, I'm constantly growing. I think I'm a little controversial... I just try and keep some mystery, so hopefully people can't really put their finger on it.
I certainly think that he [Alan Rickman] was a kind of actor who needed to grow into his maturity to realize the potential, the huge potential that he had.
When I hear the words jazz pianist, that just means I have the skills to do most things. Because to be a jazz pianist, even to be a bad jazz pianist, you have to be pretty good.
The collective conscience of a hundred musicians is no light burden. Think for a moment of what it would mean to a pianist if by some miracle every key of his instrument should suddenly become a living thing.
I think as much as the city is changing us, our experience inside the city also changes. I think, a city like Cairo - and it's interesting because yesterday, a friend of mine told me the same this thing about New York - is a city that you can't control. It's very bold and very aggressive, and it will constantly resist any attempt at control. But even though you can't control it, you can find your path within the city. You can come to a better understanding of your relationship with it.
I usually need a lot of time to be completely alone with the particular piece, the composer, and the instrument. I also prefer a very quiet atmosphere, and I usually choose pieces that are very close to my personality, my heart. I think the audience can feel it.
If there's one thing you can say about my apartment it's that it's constantly evolving, constantly changing. I think that is the mark of a good apartment; you can never really be done - It's like a proper wardrobe.
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