A Quote by Kesha
Sometimes I have parties at my house in Nashville and it's clothing-optional, and we just body-paint each other and run around, and I have a giant bed. I'm very much in touch with that side of myself.
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To be honest, the piece of clothing from a man's wardrobe I wear most often, to bed and around the house, is my boyfriend's underwear. I think it's infinitely unfair that women are compelled to wear underwear with a comfort factor of zero whilst men stroll around in essentially the most comfortable item of clothing ever made.
I just got an apartment here in Nashville, and I invested in a Queen-sized bed because I'm like, "I haven't had a big bed since I was a kid." I woke up this morning on one side, like, in "coffin position."
When I went, I hadn't had very much time to have hopes or expectations. I knew very little about Nashville, and I think that was probably good. When I was there, I got really lucky - I ended up with people that just were amazing musicians, and that's the Nashville that I experienced. That is a big part of Nashville - there's a lot of musicians, and that makes it a very special place and shapes the city.
Sometimes somebody has an amazing house party and you meet great people and you dance - I've had incredible experiences. But they have been so much fewer than the awful experiences where you're just standing around like, "Why did I come here? We're all just putting on a show for each other and I might as well be in a museum."
I've had a lazy career, sometimes one film a year, sometimes none. I'm walking around in the street and doing this other thing, living, that I'm much more interested in. I just do some acting on the side.
I've had a lazy career. Sometimes one film a year, sometimes none. I'm walking around in the street and doing this other thing, living, that I'm much more interested in. I just do some acting on the side.
I love paint. I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
Everybody always laughs because I feel so much more comfortable with, like, a giant paper bag on my whole body and paint on my face. Sometimes I try really hard to take it all off. But inevitably what's underneath is still not a straight edge. And I don't think it ever will be.
I wake up in the morning and I lie in bed, and it's the time I call "the theater of morning." All these thoughts run around in my head, between my ears when I'm waking up. It's not a dream state, but it's not completely awake either. So all these metaphors run around and then I pick one and I get out of bed and I do it. I'm very lucky.
I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
My publishing deal is out of Nashville, my management is split between Nashville and Texas, but we are also getting to play eight other states as well as Canada and Europe this year. I don't want to pigeon-hole myself. When people ask me if I'm Texas or Nashville, I tell them I am just Cody Johnson.
It's very easy to copy Swedish House Mafia, or Avicii, or Skrillex, or whatever. People listen too much to each other and are too much inspired by each other.
'Muppets' was very much an exercise in anti-CG and the anti-effects world. It was very much in camera. We wanted to create a world where tangible puppets walked around and talked to each other. You could touch them. You could meet them.
I've been trying to immerse myself in the narratives of other people. I try to not isolate myself as much. It is really hard. People that are sensitive, you just feel too porous sometimes. There's this inertia that sets in, and it's hard to get out of bed. I think knowing that other people go through it is really reassuring.
What caricature is in painting, burlesque is in writing; and in the same manner the comic writer and painter correlate to each other; as in the former, the painter seems to have the advantage, so it is in the latter infinitely on the side of the writer. For the monstrous is much easier to paint than describe, and the ridiculous to describe than paint.
What I tell young couples that are getting married is: you're going to have quarrels, and on some things, you're just going to have to agree to disagree. And when you go to bed at night, kiss each other and tell each other that you love each other. Don't go to bed mad. Life is too short. Keep it simple.
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