A Quote by Keshia Knight Pulliam

I would love to be remembered as a wonderfully dynamic and multitalented actress who left a legacy through her work and through her life of helping people and of being a positive force in the world.
For a mother the project of raising a boy is the most fulfilling project she can hope for. She can watch him, as a child, play the games she was not allowed to play; she can invest in him her ideas, aspirations, ambitions, and values - or whatever she has left of them; she can watch her son, who came from her flesh and whose life was sustained by her work and devotion, embody her in the world. So while the project of raising a boy is fraught with ambivalence and leads inevitably to bitterness, it is the only project that allows a woman to be - to be through her son, to live through her son.
[Harriet Tubman] lived such a full, complex, and irrefutably-dynamic life that all the craft in the world would be insufficient in honoring her legacy.
For boys, the family was the place from which one sprang and to which one returned for comfort and support, but the field of action was the larger world of wilderness, adventure, industry, labor, and politics. For girls, the family was to be the world, their field of action the domestic circle. He was to express himself in his work and, through it and social action, was to help transform his environment; her individual growth and choices were restricted to lead her to express herself through love, wifehood, and motherhood--through the support and nurture of others, who would act for her.
Day and night she had drudged and struggled and thrown her soul into her work, and there was not much of her left over for anything else. Being human, she suffered from this lack and did what she could to make up for it. If she passed the evening bent over a table in the library and later declared that she had spent that time playing cards, it was as though she had managed to do both those things. Through the lies, she lived vicariously. The lies doubled the little of her existence that was left over from work and augmented the little rag end of her personal life.
Her work, I really think her work is finding what her real work is and doing it, her work, her own work, her being human, her being in the world.
When I was doing 'Scarface,' I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time. I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.
The sickness of the mother runs on through the girl, leaving her small and helpless. Liquor flies through her brain with the force of a gun, leaving her running in circles.
From barren brown stems to glistening leaf-buds; from the leaf-buds to snowy virginity of bloom…It was like a flute song forgotten in another existence and remembered again. What? How? Why? This singing she heard that had nothing to do with her ears. The rose of the world was breathing out smell. It followed her through all her waking moments and caressed her in her sleep.
Normally, an actress has to work to bring out her male side. In our case, the dynamic is reversed. The actor playing her modelled himself on Sharon Stone.
Even before he left the room, — and certainly, not five minutes after, the clear conviction dawned upon her, shined bright upon her, that he did love her; that he had loved her; that he would love her. And she shrank and shuddered as under the fascination of some great power.
For all of her influence on popular culture, and the remarkable performances she left behind, perhaps Farrah Fawcett's greatest legacy was her raw, intimate, honest portrait of a woman fighting for her life - against cancer.
In People magazine, Madonna said her life has been exhausting since she started her world tour. She said there isn't a second of her life that isn't taken up looking after her family or thinking of her show - her day is filled with problems of work and family. Someone should tell her, everyone else calls that, life.
Rosa Parks will be remembered for her lasting contributions to society. Her legacy lives on in the continued struggle for civil rights around the world. She will be missed.
What I would like my legacy to be is that of a person who took good care of her family and sang some songs that made a difference in some way. I hope I'll be remembered as somebody who was always down to earth and who handled her career and other people with honesty, integrity and class.
One demonstrable effect this type of work can have is in its viral promulgation. Take Kathy Acker for example: her work exists mainly through academic channels. Students are exposed to her novels, and some read her, then, on their own, but some also go to grad school: teach her, write about her, keep her going.
Oh there's so many, but the one that I would love to see, that I would love to go up against, is Beth Phoenix. I would love for her to return. It would be something for me, kind of like a a childhood thing, growing up seeing her being such a dominant woman. I would love for her to show up and be in the ring with her.
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