A Quote by Kevin Abstract

As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform. — © Kevin Abstract
As soon as I left Georgia, my narrative became about taking risks and the fight for creative bedroom artists with no platform.
Nothing's about taking risks as much as doing stuff that other people haven't done before. Just like in racing, it's not about taking risks but trying to figure out how to be faster.
Nothing can be left until the last minute, so that everyone knows exactly where they are. Everyone is comfortable and everyone feels safe because we want people to be able to keep coming into this show and taking those risks. There are a lot of risks in this show, not just nudity, but emotional risks. We want the best actors to feel comfortable about coming in and exploring this subject matter with us.
I don't think about taking risks anymore because there aren't any risks to take.
I think it's our responsibility as artists to not only fight for our art but fight for the communities that are the reason we're able to continue making art, especially since, in Brooklyn's case, we as artists somehow made it 'cool' enough for the bigger money-making industries to start taking over.
People are always going to find fault with anything you do, any process that you're a part of. The creative process means taking risks, I've taken risks and I've made mistakes, but the bottom line is, could anyone else have done any better ? I have to believe that what I created was worthwhile.
I talk a lot about taking risks, and then I follow that up very quickly by saying, 'Take prudent risks.'
There are some risks we choose to take because the benefits from taking them exceed the possible costs. Optimal behavior takes risks that are worthwhile. This is the central paradigm of finance: we must take risks to achieve rewards, but not all risks are equally rewarded.
When large companies take on risk, then they impose risks on the rest of the system. And these are systemic risks and these systemic risks we never used to think were really that important, but as soon as we recognize how the financial sector - the risks the financial sector takes on can impact the entire global economy, we realize that those risks needed to be controlled for the social good.
Be willing to take some risks in the areas of work and money. If we do only what we think we should do in order to make money and be secure, we won't listen to the intuitive voice that tells us to try something new, to be more creative, or to move on to the next step on our path. When we listen to our intuition and take some risks, we are not alone. The universe will support us and reward us for taking risks on its behalf!
In the media business and as a creative executive, if you don't take risks, you're dead in the water. Calculated risk-taking is essential for success.
One thing I've been thinking about is taking the social issues out of national politics. For example, if Georgia wanted abortion and Alabama didn't, that's going to be up to the people in Georgia. I can't sway them. Would I give them advice not to? Absolutely. Would I say it's wrong? Yes.
I completely follow my gut and do what I like doing. I have become impulsive in a good way. I am taking creative risks as an actor.
We are exploring creative models to pursue innovation outside the confines of our normal process, taking calculated risks and learning from them.
In the media business and as a creative executive, if you don't take risks, you're dead in the water. Calculated risk taking is essential for success. No one said it was easy.
Commit yourself to taking enough risks that you will fail some of the time. If you're not failing, we're not doing something sufficiently difficult or creative.
If designers are willing to take risks, I think buyers should take risks, as well with press taking risks.
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