A Quote by Kevin Anderson

A lot of guys sometimes, you know, you might see them get angry at a line call, and suddenly they start playing better tennis. — © Kevin Anderson
A lot of guys sometimes, you know, you might see them get angry at a line call, and suddenly they start playing better tennis.
One time, I got to go play with lion cubs in Johannesburg. It was amazing. But it's difficult when you're on the road. We're always playing tennis, and there's a lot of pressure. So sometimes you don't get to do the things you'd like to do, because the priority is tennis.
I think a lot of trust is done even off the field. When you get to know guys and you see their story, you understand what they're about and what playing on a team means to them.
Acting with Denzel is like playing tennis with someone that's better than you. You either play better tennis or get blown off the court.
You see receivers getting open, the O-line blocking, and when that's happening, playing quarterback is a lot of fun, man. You get to sit back, and deliver the football, and let your guys make plays.
When you're young, you might not be ready to deal with the frustration of playing the big guys and dealing with their power. But we move better, we see the ball earlier, we can play faster. That's why you see smaller guys able to compete. We use the power of our opponent.
To me, mixed doubles is an undervalued tennis product. You have guys and girls playing on the same level, no handicaps. The guys aren't feeling bad for the girls. The girls pick on the guys. It's generally amazing tennis.
In playoffs, it's so emotional and the tension's really high and guys are laying everything on the line. And when you do that, things get chippy and guys are playing aggressively, and I think it just comes out in the playoffs a little more. When you know what's on the line and what you're expected to do, it just comes out.
People often call and say: "Can you help me to get Bill Murray in our movie." But I'm always like, "well I don't know how to do that!" I've sometimes tried and not been able to get him but then I'll suddenly be very surprised by the thing that he will suddenly decide to do.
I'm not angry, I'm not an angry person, but I do sometimes like playing with the perception of anger, as in pretending that I'm more angry than I actually am, and sometimes it works quite well.
It's a bottom line business where a lot of gray suits are brought in and then, within two years, these guys suddenly know everything about baseball.
My family are tennis coaches, and they always brought me to the tennis club. I basically had no other option than to start playing tennis.
A lot of weird things happen to me. People call out to me on the street and I figure I know them, and I walk over. And then they start to talk about a movie, and I get so embarrassed. Sometimes they think I'm Lorraine Bracco or Laura San Giacomo or Marisa Tomei. I'm sure it happens to them all the time, too.
You know what it's like. Sometimes, you meet a wonderful person, but it's only for a brief instant. Maybe on vacation or on a train or maybe even in a bus line. And they touch your life for a moment, but in a special way. And instead of mourning because they can't be with you for longer, or because you don't get the chance to know them better, isn't it better to be glad that you met them at all?
It's special - when you start playing, you are aware of names like Wayne Rooney and Robin van Persie; you have seen them playing and know what great players they are. So it's fantastic to have a chance to line up with them. I'm really pleased with how that understanding has started off.
When things change a lot, some guys handle the change better than others, but that doesn't mean the guys that take longer to get the hang of things are suddenly slow drivers!
I've got such great people around me. They don't really care if they make me angry. A lot of teams, they're afraid to make the artist angry, because they don't want to get fired and all that stuff. My team's pretty good about letting me know when to get in line.
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