A Quote by Kevin Anderson
Something I worked very hard on, especially last year, was being more outgoing on the court: recognising good points I'd played and trusting myself and my skills on the court. The fist pumps weren't necessarily to let my opponent know I was here, more to let myself know that I'm here.
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I'm a different person off the court than I am on the court, where I'm very competitive, a perfectionist, and I can be hard on myself sometimes. Off the court, nothing really bothers me. I'm easy-going.
I've worked very hard to put myself where I am: in the top 10, the top American in an American event - two American events - and I haven't played on stadium court.
The problem is not the claycourt. The problem is, you know, rather something to do with the conditions on center court. Because I've played well on Suzanne Lenglen, on the other courts. But the Chatrier court is really, really big, and I just haven't had enough play on it. Maybe I come here next year and play a week on this court, if I can, if the French Federation lets me. We'll see. I've been playing well in other tournaments, in Davis Cup on clay. So for me it's not the surface, it's rather maybe the court.
I can't say that I was my happiest on court, but I felt completely free. Free from family obligations, free from my own torment. In a real sense I was a different person. It was a place where I could not tolerate the idea of being beaten. I psyched myself up into a state where I felt something close to hatred towards my opponent, a state where I detested the idea of someone making his name at the expense of Jimmy Connors. I was in my element on court, measuring myself against someone else. I was not competitive for show. It came from deep within.
A lot of people didn't know why I went to Cal. The Bay Area, Silicon Valley, I wanted to put myself in that position where I'm not only successful on the court but off the court.
I can't tell you how hard I worked the last year. In fact, I worked so hard that I know I can't maintain that same work level in 2001, so I've got to quit something.
David Silva - he's constantly played very well for 13 or 14 years now, and to do that is a hard task. I know what he went through last year with his son, too, but to maintain that even then is incredible. He's a very good human being, and he's an unbelievable player.
I think that's my personality, to have a good laugh and not to take myself too seriously. And of course I have my things on the court but when I'm off the court I just like to have fun.
My main focus off the court is to be humble. My mom always told me to be a presentable young man. I'm not going to pretend to be something that I'm not and act a certain way for people. I plan on being myself. I like having a good time, but I still carry myself in an orderly fashion.
Everyone works so hard on their game and on their body. Most of the time, it comes down to who is more relaxed mentally; on the court while playing and off the court.
Like, that was weird in 'Hamlet 2,' because I played myself there, fully myself, but then I realized, 'Oh, I'm not playing myself. I'm some weird version of myself.' So as an actress, you're always playing something, I don't even know who I am, how could I become me? I don't know what that is.
I started Ballet at a very young age and I was captivated immediately. It became my voice, means to overcome those final barriers to expressing myself. Letting myself fly free. The more experience I have, the more I get to know myself.
In 1948, I began coaching basketball at UCLA. Each hour of practice we worked very hard. Each day we worked very hard. Each week we worked very hard. Each season we worked very hard. Four fourteen years we worked very hard and didn't win a national championship. However, a national championship was won in the fifteenth year. Another in the sixteenth. And eight more in the following ten years.
I once was poor myself. I worked to get where I am today and I've worked hard to spend $100,000 a year on my clothes and I've worked hard to earn $3 million a year. I deserve what I get because I worked for it.
I know my limitations. I know I'm not perfect. I know what I know, but more importantly, I know what I don't know. When I don't know something, I surround myself with people I can trust to teach me.
I got tired all of the stories about, 'He is a tweener. He doesn't have a position.' I knew I could play. I played hard. I played both ends of the court. I know what I could do.
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