A Quote by Kevin Bacon
I don't really worry so much about image. I try to just live my own life, my personal life, to my own sense of morality. In terms of the kinds of characters that I play, well, they could be anything.
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As an actor, you have to face the public all the time. It is a job that people fantasies, but it also creates prejudices; these prejudices are the scariest things. People judge a personal life or your image, and it can affect the characters I play. Therefore, I try not to showcase my personal life too much.
You have to imbue the characters with their own sort of feeling of justification and morality. Everyone has that, whether we see them as evil or not. So I try to bring the characters to life by making them likable or lovable, in the sense that they can be, at least to themselves.
Vocation does not come from willfulness. It comes from listening. I must listen to my life and try to understand what it is truly about-quite apart from what I would like it to be about-or my life will never represent anything real in the world, no matter how earnest my intentions…..Before I can tell my life what I want to do with it, I must listen to my life telling me who I am. I must listen for the truths and values at the heart of my own identity, not the standards by which I must live-but the standards by which I cannot help but live if I am living my own life.
More than anything else, I'm a very calm person in the sense that I don't worry about the future and what my life could be. I just have to face it, and I'll face it with enthusiasm as well as the desire and curiosity to test myself.
I think my mother... made it clear that you have to live life by your own terms and you have to not worry about what other people think and you have to have the courage to do the unexpected.
For me, the moral dimension of life is that you are committed, to doing everything that you do, with a sense of excellence. That is the morality of writing, that you try and write as excellently as you possibly can. Or of teaching, or of childrearing, or of friendship. Of anything you do. And, I do try and live, as best I can, with all of the errors that I make, y'know, a value-driven life. And that is defining values as trying to give everything you do, everything you've got.
You can't make everyone happy no matter what. All I can do is live my life and try to be successful and please myself. I have my own morals I live by. Bill Cosby once said, 'I don't know the key to success but the key to failure is trying to please everybody.' I agree with that. I live my life my way. I try to do the right thing, but I know there are going to be people who aren't happy with what I do or say no matter what, so I'm not going to worry about it.
A book is a part of life, a manifestation of life, just as much as a tree or a horse or a star. It obeys its own rhythms, its own laws, whether it be a novel, a play, or a diary. The deep, hidden rhythm of life is always there - that of the pulse, the heart beat.
A writer can't just be well-educated or good at research; to build a living, breathing world with interesting characters, you have to write from the gut. I'm not saying you have to live your life like a fantasy adventure. The trick is the ability to synthesize your own everyday experiences into your fiction. Infuse your characters with believable emotions and motivations. Infuse your world with rich sensory detail. For that you have to be in touch with your own existence and your own soul, the dark and the light of it.
When I realised that what I do really well is play women who are tough and vulnerable, it was a moment of clarity. Many female characters either have one trait or the other, but I play both. I don't need to play characters who are like me. I can just do that with my life.
What I try to impart to a musician is to really try to practice the instrument in a really sincere way. Learn as much about music as you possibly can. Learn composition. Study to try to create compositions of your own and put your own personal touch on your music.
The characters I play always seem eerily appropriate to where I am in my personal life at the time, and if they're not, there always tends to be this notion that I should be learning something to apply to my own life from these people.
And it's kind of my own fault too, in the sense that I've used my own life as a literary device so much. I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. I find that most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.
My father left me with the feeling that I had to live for two people, and that if I did it well enough, somehow I could make up for the life he should have had. And his memory infused me, at a younger age than most, with a sense of my own mortality. The knowledge that I, too, could die young drove me both to try to drain the most out of every moment of life and to get on with the next big challenge. Even when I wasn't sure where I was going, I was always in a hurry.
Don't worry about this world; it is not broken. And don't worry about others. You worry more about them than they do. There are people waging war; there are people on the battlefield who are more alive than they've ever been before. Don't try to protect people from life; just let them have their experience while you focus upon your own experience.
I'm more comfortable with my beliefs and with who I am. I honestly don't think about it that much. I just try to live my life and I try to love people. I try to love God well and I try to love people well. Those are my main objectives.
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