A Quote by Kevin Bacon

To me, the struggle is to try to make a less-well-written or less-well-rounded character and find who they are. If you really get it, and it's all on the page, then it's really just gonna pop out at you.
For me, I've been known as a very well-rounded fighter, and I think that's really important, that you're well rounded and comfortable in every situation that a fight can go. A lot of people focus on just one discipline, and when they get out of that, they're in a difficult position.
You can always find ways to make it different, as long as it's a really well-written script and well-written character.
If the character is really well-rounded, and it's a really strong character, and if the writing is just fantastic, that's the thing that will hook me in, certainly.
Being really likeable all the time is just not real life, so it's your duty to make a well-rounded character.
Gary Ross one of those directors which lets you do what you need to do to become your character - he lets you try to do everything on your own when you're acting. Then at some points he would say, "Let's try this," or "Let's try that." Most of the time he just kind of let me try to just become my character on my own and it worked out really well.
There's a thing about trying too hard, which I think is in all forms, which is if you really try to do things really well, you can get to a less good place than if you just let go and let it fly. Especially in creativity.
It's really an organic sort of process. You start off with the character on the page. You fall in love with that character and you have to represent that character well and I think it's just an evolution there. Using the accent and speaking the lines with the accent in fact opens the door to who the character really is.
I am pleased to say that as I get older, I get less and less like the sitcom 'Miranda.' She is really a clown character, a heightened version of the 20-something me.
I try to have a very well-rounded group of friends that did a lot of different things and weren't just performers. Because I feel like there's both less feeling of competitiveness, and it put my own career in perspective.
Well that's actually happened to me a couple of times... but I really think that men, when it comes to falling in love, are less... I guess you could say less aggressive.
I think the smart teams are chasing those well-rounded players, making that well-rounded lineup, having that well-rounded team.
I don't talk that much when I do well and I try to talk even less when I'm not doing well. All that really matters is the next game and helping us win.
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
The directors were often really nice and I was well behaved, so I would just sit there in rehearsal. That allowed me to see the process - not just the result, the red carpet, all of the wonderful, fun things that happen afterwards - the nuts and bolts, the nitty-gritty, "Let's try to build this character from the page," tech rehearsals.
I used to feel for years and years and years that I was very remiss not to have written a novel and I would question people who wrote novels and try to find out how they did it and how they had got past page 30. Then, with the approach of old age, I began to just think: “Well, lucky I can do anything at all.
I think I get really into comfort music: '60s stuff, '50s stuff like Frankie Avalon. I love it - such simple songs, but so well written. That, and old French pop. I love that, because I don't speak French. It's all just pop music! But I love it because it just makes me focus on the melodies.
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