A Quote by Kevin Barry

I was freelancing for years in Cork and around. I also wrote freelance pieces for 'The Irish Times.' — © Kevin Barry
I was freelancing for years in Cork and around. I also wrote freelance pieces for 'The Irish Times.'
I started freelancing, writing op-eds and book reviews, one at a time. I then got the opportunity to write recurring freelance pieces for 'The Nation' magazine, focusing on how the Internet was changing politics.
I worked at 'Mademoiselle,' and then it shut, and I worked at 'GQ' for three years, during which I was freelancing. I wrote for 'Vibe.' I did music reviews. I wrote for 'Time Out.' I was desperate to get into 'Entertainment Weekly' or 'New York Magazine.' Like, desperate.
I'm one hundred percent Irish, and I'm very proud that I'm Irish American, though I don't know exactly where my ancestors came from. I just know County Cork.
We used to speak Irish - Gaelic Irish - around the dinner table, but over the years, we lost that.
I wrote 'Black Deutschland' very quickly one summer, probably because I had a lot of it in pieces and fragments sitting around over the years as false starts or notes.
Yes, I am Irish and Indian, which would be the coolest blend in the world if my parents were around to teach me how to be Irish and Indian. But they're not here and haven't been for years, so I'm not really Irish or Indian. I am a blank sky, a human solar eclipse.
I wrote for my university newspaper and went on to freelance for a Los Angeles publication in my first months after graduating from UC Santa Barbara. I also interned at a couple of TV stations in the L.A. area.
I'm honoured and delighted to be named the 'Irish Times'/Irish Sports Council Sportswoman of the Year 2014. This has been an amazing year for me and for Irish women in sport, and I would like to congratulate all the finalists in their respective fields who have excelled at major sporting events.
The worst thing about being a freelance film director is that you're scrambling around Soho with a briefcase, looking for somewhere to make phone calls. That was my position for 10 years.
My father was educated in Cork, in the University of Cork, in the '50s.
My tunes and numbers are here. They have filled my years, the years when I refused to die. And in order to do that I wrote, I wrote, I wrote, at noon or 3:00 A.M. So as not to be dead.
But the difference between the little pieces and the big pieces - I'm not actually sure which are the little pieces. With some of the big pieces, it's a lot of musical running around, whereas the little pieces, you can say everything you want to say.
The English and Americans dislike only some Irish--the same Irish that the Irish themselves detest, Irish writers--the ones that think.
I wrote a number of pieces in the year 1966 that were so bad that, although I'm a great collector of my own pieces, I have never collected them.
I'm pretty freelance. A freelance meditator. I float from one thing to the other.
You can have Irish identity in the north and also have your Irish passport.
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