A Quote by Kevin Costner

When you draw a western correctly, you create such drama, such dilemma that you think you almost don't want to admit who you might have been. — © Kevin Costner
When you draw a western correctly, you create such drama, such dilemma that you think you almost don't want to admit who you might have been.
I think 'The Walking Dead' is very interestingly paced. It's slow, almost like an old Western. It's also very stylised - visually, I think it's very pretty. It's more of a psychological drama than anything else.
When I write a novel I put into play all the information inside me. It might be Japanese information or it might be Western; I don't draw a distinction between the two.
It is probably like an artist. They see in their head what they want to draw, and they draw it. It is like I have a feeling inside me that I want to create on a horse, and that is what I do.
I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.
There is a lot of hype about drama school, I think. If you're an actor in England, that's just the way to get into it but I've been so incredibly lucky in that I was brought up in to it. I still might go to drama school, if I wanted to do theater work, definitely. It's a completely different type of training.
An effective leader develops the ability to correctly identify the pertinent detail or details - incidentals in a market, industry or sport that might create an incremental advantage.
You just find the best actors that you can. There's an inherent drama within the framework of scares and killings and all that. In 'Scream,' there is very real drama that would be in almost any drama.
In Western-style Communism we would have to create an almost imaginary workers' image of themselves as the father-figure.
I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.
I don't want to overvalue Donald Trump as some historical rupture, and to admit that I do think Trump is an indication of a fairly profound change. But the change started a while ago, and it has taken a while to appear. Global capital, particularly western capital, has been in decline since the late 60s and early 70s. The softness appeared in the 60s, the profit rate fell off the table in 1972 - 73, and there have been very uneven recoveries. This has been an ongoing weakening of the productive economy of accumulation at a global scale, of capital's capacity to expand.
They say that art comes from the soul. The more drama in an artist's life, the more he can draw on for his art. Van Gogh and Picasso had troubled souls, but poor Steve Kaufman has been shot once, stabbed 3 times - all by women. That is a lot of drama for great art.
Typically, in Westerns, people who are in a Western feel like they're in a Western. It's almost like they know they do all these Western things.
I almost always urge people to write in the first person. ... Writing is an act of ego and you might as well admit it.
The big thing is it's a domestic drama. Everything else in science fiction tends to be high-concept. Really for the last 40 years or so I think sci-fi's been a little cold and a little inhuman quite often - certainly since the 1980s - and I really wanted to do something that almost felt like a regular, real-life drama but just set it in a sci-fi setting. I think the best stuff is always like that.
I had always been in love with him. I counted the lashes of each closed eye. He had been my almost, my might have been, and I did not want to leave him
Who doesn't want to draw Batman or Superman? Everyone would like to be able to draw them. I've been really lucky when it comes to the characters that I get to illustrate.
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