A Quote by Kevin Costner

When I read Thirteen Days I was moved by it. It was just a great time for the world, in terms of looking back in history and seeing how we got ourselves into trouble and how we got ourselves out of trouble.
I don't really know what makes someone want to be a cartoonist, but part of it is trying to get in trouble. You're looking where the line is and seeing how much you can step over it, and I mean, I do that in my personal life, too. I try to anger and piss people off a little bit to try to see what I can get away with. I got in trouble with more than one cartoon.
Look, when I got in trouble in school I got in trouble at home. Now when kids get in trouble at school, the teacher gets in trouble. So the families are important.
We must not let ourselves be seen as rushing around the world looking for arguments... Nor should we let ourselves be seen as ignoring allies, disillusioning friends, thinking only of ourselves in the most narrow terms. That is not how we survived the 20th century. Nor will it serve in the 21st.
I match up with the best guys in the world. I'm not being cocky; it's just always how I felt. But I got into trouble as soon as I got into the NBA, and it left a bad taste in a lot of people's mouths.
It's very hard to write about that which is always beautiful and pleasant and good. You don't get anywhere with it. There's no friction in it. There's no trouble. You have to have trouble. Somebody's got to get in trouble, or no one wants to read it.
That's what's so great about my job. I get paid to do what got me in trouble in grade school space out and play with my imaginary friends. In terms of Isaac, when the time's right.
We read because they teach us about people, we can see ourselves in them,in their problems.And by seeing ourselves in them, we clarify ourselves, we explain ourselves to ourselves, so we can live with ourselves.
I'm very glad I've got a make-up artist. I have trouble going to school when I've got bad spots and things like that so I still don't understand how I got up in front of a camera and did it. I almost had a moment of madness every time I did that. It's difficult and it's scary and you hope that people won't be looking at your flaws, especially when you're in 3D as well.
You've got to tell the world how to treat you. If the world tells you how you are going to be treated, you are in trouble.
I think you write only out of a great trouble. A trouble of excitement, a trouble of enlargement, a trouble of displacement in yourself.
How often have we ourselves said or have heard others exclaim in times of crisis or trouble, 'I just don't know where to turn'? If we will just use it, there is a gift available to all of us-the gift of looking to God for direction. Here is an avenue of strength, comfort, and guidance.
How do we define, how do we describe, how do we explain and/or understand ourselves? What sort of creatures do we take ourselves to be? What are we? Who are we? Why are we? How do we come to be what or who we are or take ourselves to be? How do we give an account of ourselves? How do we account for ourselves, our actions, interactions, transactions (praxis), our biologic processes? Our specific human existence?
Learning about crime in great detail forces us to ask ourselves how it happened, how the victims and perpetrators got to that point, how the law works, how the police force functions.
[I just try to stay around the same people] is what kept me out of trouble, because when I got into trouble, it was with people from the outside. The outside always led me to getting into trouble, and really just stayin' in the studio [and] workin' hard, and mainly just keepin' my mind straight.
Museums are managers of consciousness. They give us an interpretation of history, of how to view the world and locate ourselves in it. They are, if you want to put it in positive terms, great educational institutions. If you want to put it in negative terms, they are propaganda machines.
When I turned thirteen, I moved up to the junior bull scale. They didn't really classify them by how big they were but how bad they were. The first time I got on one of the big boys I was absolutely terrified but excited at the same time.
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