A Quote by Kevin Costner
I've been around where I knew other actors were going to steal the scene, and I don't compete with them.
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When becoming a character, you have to steal. Steal whatever you see. You can even steal from other actors' characterizations; but if you do, only steal from the best.
I see how people boss other actors around to try to get a scene favorable to them. I absolutely just never engage in doing that. If someone's going to do it to me, I just let them have it.
Actors will, in their mind, want to 'steal the scene,' and the problem is that means the scene didn't work in the first place.
I am a great admirer of other actors, but I never compete with other actors. I always compete with what I did last, and I'm my own most vicious critic. So I'm always trying to do it better.
I think there has only been one time in my entire career that I've ever gone back to shoot a scene. And it was a scene that, when we were shooting it, we knew that it wasn't working. We knew there was a disagreement between the actor and director. So, we went back.
The Ramones were a great bunch of guys. They were very quiet, very shy. They were a little in awe of the filmmaking process, probably because we started at 7 a.m. I do remember the very first day of shooting, I met them and did the scene in the bedroom where Joey sings to me, and they were all scattered around my bedroom in my little fantasy scene. That was the first scene we shot of the movie. That scene is kind of a strange way to start a movie. "Okay, get undressed, and these weird guys in leather jackets and ripped jeans are going to sing to you."
A lot of actors try to sabotage other actors, and that's sad because then you're never going to get that beautiful scene.
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
When I was working on The Wire with the other actors, scene after scene after scene, I felt like we were singing together. We were dancing together. I'm like, "This is the best ensemble I've ever worked with. I'm working with these cats? Holy mackerel, this is heaven."
Having gone through the [Marvel] writer program, I knew Black Panther was in the pipeline and I knew they were big fans of my writing. But I had to compete with the other writers who were put up for it - no one hands out jobs.
I started doing yoga in my 20s. I did teacher training, that was what I was going to do if acting didn't work out. I started teaching other actors right at the beginning of the yoga craze - people still thought it was a little weird, but a lot of actors I knew were getting into it and didn't want to look foolish in class. So I started teaching them!
I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
If you're going to steal a car, don't steal a mail vehicle. They don't mess around. I mean, have fun, steal all the cars you want, but don't steal a U.S. Mail vehicle.
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
Pirates did not store all their treasures in treasure chests, then bury them and draw maps to them. That's a movie invention. In reality, pirates spent their money as fast as they could steal it because they knew they were living on borrowed time. They didn't want to wait around to enjoy the money.
Isn't is lovely to be all together again?" Raffin said, throwing one arm around Po and the other around Bann. -------- She wanted them near, even if they were subsumed by their own affairs, she needed them at sword practice in the morning, at dinner at night, moving and shifting around her, there and gone, back again, arguing, teasing, acting like people who knew who they were.
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