A Quote by Kevin Costner
When I played Robin Hood, I knew the great role was Alan Rickman's and it didn't bother me. I always think that leading actors should be called the best supporting actors.
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You know, some actors, all of their potential is in their youth, and when that passes, their qualities of as an actor pass. But he - Alan [Rickman] was the opposite, and their are other actors who are like that, who, really, their potential is in maturity.
Alan Rickman told me to do a play, so I did. Because when Alan Rickman tells you do something, you go and do it.
I think typically you'd start in a supporting role or an ensemble role, or maybe even an off-Broadway role. So to come into a lead role on Broadway, especially taking over a role that has been played by two phenomenal actors in the past, that is some large shoes to fill.
In P7, I played Robin in a musical version of 'Robin Hood' and afterwards DO McLean was standing with mum and dad and he told them that I should go into drama. It is still extraordinary to me that a man in that period would think that that was an option for me.
I remember my first scene with Alan Rickman, and I was anxious because he is a slight 'method' actor; as soon as he is in his cloak, he walks and talks like Snape - it is quite terrifying. But I really wanted to talk to him because 'Robin Hood' was one of my favourite films.
I've always thought that when anyone receives an award for acting they should always thank their fellow actors, because the only way you're going to deliver your best performance is when you have other good actors on the set supporting you and being very present for you even when the camera is not on them.
I did quite a lot of fencing when I was a kid. I was a swimmer, and I played a lot of basketball. I was a fencer for Great Britain, but I only did that because I watched 'Robin Hood,' 'Star Wars,' 'Highlander' and 'The Three Musketeers,' and I wanted to emulate Richard Harris and the great British actors that I grew up watching.
I did quite a lot of fencing when I was a kid, I was a swimmer, and I played a lot of basketball. I was a fencer for Great Britain, but I only did that because I watched Robin Hood, Star Wars, Highlander and The Three Musketeers, and I wanted to emulate Richard Harris and the great British actors that I grew up watching.
What do actors really want? To be great actors? Yes, but you can't buy talent, so it's best to leave the word 'great' out of it. I think to be believed, onstage or onscreen, is the one hope that all actors share.
If you grow up poor you're always going to worry about money, no matter how successful or lucky you become. I'm not moaning about what actors get paid - I'm very, very lucky - but the difference between what leading actors get paid and supporting actors get is a lot.
With that incredible voice that he [Alan Rickman] could play like a sort of wonderful instrument, like a cello or something. He played his voice, and he could be the most subtle of actors. And he could also be quite a big actor. He could do the grandiose performances as well.
I'm always open to not necessarily to do leading roles because I want to do roles that are the best, character role. And sometimes, it's not going to be a leading role. It's going to be a smaller, supporting role. So really, I'm open to doing anything.
If you outlaw half a million people you make martyrs of them. For example, if you outlaw Robin Hood, it is all very well, but if you outlaw a whole group of people around Robin Hood, then Robin Hood and his merry men become legends.
In real life, every person is the leading man or woman. We don't think of ourselves as supporting or character actors.
Michael Gambon telling filthy jokes and Alan Rickman talking about scrambled eggs, just really normal things, and yet they're these amazingly, superb, famous actors. I feel so privileged to have been around them on the set of Harry Potter.
I decided I would open this little actors' workshop I always told actors to look for. That gave me something to do on Wednesday nights, and after about a year of that, I realized that some of the things I was saying to actors probably had broader application. I ran into a magazine called 'Speakers For Free.'
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