A Quote by Kevin D. Williamson

If you can get the audience to talk to the screen, I just thought that was so cool, and I wanted to do that. And I just leaned towards the scary and the thriller. I find it very emotional. I want to make emotional horror. If I can make you cry, than you have a full experience.
Even as a child, I just leaned towards the scary. I remember seeing Halloween, for the first time. I snuck into the theater and was sitting there with a group of friends in the front row, and I turned back to look at the audience. They were screaming and interacting with the screen and were interacting with Jamie Lee Curtis as she walked through that horrible night. I just thought, "I want to do that."
For me and my films, I want my audience to experience cinema in its full glory. It's not just visual, it's audio as well. It's emotional, and I want you to be engaged with not just the scene but with the characters.
For me and my films I want my audience to experience cinema in its full glory. It's not just visual, it's audio as well. It's emotional and I want you to be engaged with not just the scene but with the characters.
I like emotional horror. I don't like horror movies. I hate them. But, if you can make emotional horror movies, I'm in. If I can care and root for the main character, then I'm in.
If you have a movie that doesn't strive to go to a certain emotional point, you can do anything and it will be fine and funny. But if you have something pretty emotional at its core, you have to make it right. You don't want it overwrought or unearned. Everything has to be moving towards this one thing.
If I'm able to catch the screening, there's a point in the film where, like clockwork, a portion of the audience gets really emotional and begins to cry. And that's very difficult to make happen.
I watched horror movies way too young and one of my favorite horror movies was The Shining. Jack Nicholson's character in that just bore a hole in my brain, his weird, maniacal controlled stuff. Obviously Mara in Village of the Damned wasn't an alcoholic and didn't have emotional, crazy outbursts. She was very non-emotional. But it was that sort of evil that I was tapping into.
Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor
To call them emotional comedies sounds cloying. Like Billy Wilder said, 'You want to make them laugh and you want to make them cry,' and it's very hard to do so. If you ground it in reality, you get a more honest comedy. You don't have to reach for jokes to manufacture situations as much. And I think it's a type of film I do best.
I do my best to allow myself to really feel it [emotional pain]. Cry. Get all in it. Really experience my experience so that I may move through it. And talk about it. I try not to let anything get brushed over and swept under the rug.
I've very emotional. When I went through my first breakup, I thought it was the end of the world, and I thought I was going to die if I didn't have him in my life. It was good to cry it out, and just scream, or call my friends in the middle of the night crying.
I'm very emotional. When I went through my first breakup, I thought it was the end of the world, and I thought I was going to die if I didn't have him in my life. It was good to cry it out and just scream, or call my friends in the middle of the night crying.
I have done comedy and now I did a negative role. So for future I guess I wanna do an emotional character and make my audience cry.
I try not to cry in front of people that might get very emotional. I try to cry by myself. When I'm in a comfortable place, I don't hold anything inside. I just let it out, and I feel better afterwards.
I wanted to make a film that was sophisticated and emotional, but for a wider audience.
The Cry Baby character is so, like, based off of myself that it just really is just from personal experience. And when I was younger I was called a cry baby and made fun of for being super emotional and taking things way to personal.
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