A Quote by Kevin De Bruyne

I always like to assist more than scoring: it gives me another feeling; I cannot explain it. — © Kevin De Bruyne
I always like to assist more than scoring: it gives me another feeling; I cannot explain it.
I've been fortunate in that the films I've worked on in the horror genre are themselves not pure horror, and have allowed me to write in a wide variety of styles. Those scores contain elements of fantasy, drama, action, comedy... really all types of scoring, and that gives the horror moments more impact. As for scoring the horror moments, I do like approaching the music from the psychological aspect, scoring to the characters' thoughts, emotions, motivations and such.
It's hard for me to always explain my songs, and people always expect a meaning and to know what it's about. Sometimes when I write these songs I'm feeling a particular emotion, so to then come back and explain what I was feeling or put it into words is quite difficult.
I've always been known more for giving assists than scoring - but of course, I enjoy scoring goals, too.
It's not always a conscious thing - I've never been that artist to come to the recording session with a concept of an album; I am a lot more intuitive. I usually start with the music and try to catch a feeling, a gut feeling. And then you need to do interviews and explain yourself more, in words. But during the process it's really about the gut feeling, and it's hard to explain. You're trying to find those moods that make you feel something, I guess.
Fame can be very disruptive. It can be like a drug. It gives you the feeling that you're happy, it gives you the feeling of self-importance, it gives you the feeling of fullfilment; but it can distract you from what is really important.
A miracle signifies nothing more than an event... the cause of which cannot be explained by another familiar instance, or.... which the narrator is unable to explain.
I suspect the reason is that most people [...] have a residue of feeling that Darwinian evolution isn't quite big enough to explain everything about life. All I can say as a biologist is that the feeling disappears progressively the more you read about and study what is known about life and evolution. I want to add one thing more. The more you understand the significance of evolution, the more you are pushed away from the agnostic position and towards atheism. Complex, statistically improbable things are by their nature more difficult to explain than simple, statistically probable things.
The positive thing about collaborating is that I cannot get distracted by coding work, because I cannot waste the other collaborator's time in the same way as I can my own. And it's always good to learn how the other person works, learn about techniques, learn social things like: how do you communicate with another person? The music I make with other people I'm much more confident about, I'm a little bit less judgemental of the outcome than with my own stuff because I know it's not only me, it's a more outside of me. Sometimes I even like them better than my own tracks.
My identity shifted when I got into recovery. That's who I am now, and it actually gives me greater pleasure to have that identity than to be a musician or anything else, because it keeps me in a manageable size. When I'm down on the ground with my disease-which I'm happy to have-it gets me in tune. It gives me a spiritual anchor. Don't ask me to explain.
I like it that they [disciples] feed me and pay for my clothes and protect me. And in return I will do for them what I can, but no more than that. Just as I cannot breathe the breath of another or help the heart of someone else to beat or their bones not to weaken or their flesh not to shrivel, I cannot say more than I can say. And I know how deeply this disturbs them, and it would make me smile, this earnest need for foolish anecdote or sharp simple patterns in the story of what happened to us all, except that I have forgotten how to smile.
I really try not to read the tennis articles, because a lot of times they're guessing at how a player is feeling, and I like to keep myself kind of open minded about how I'm feeling, rather than have someone else explain to me what's going on.
I'm extremely willful to win, and I respond to challenges. Scoring titles and stuff like that... it sounds, well, I don't care how it sounds - to me, scoring comes easy. It's not a challenge to me to win the scoring title, because I know I can.
Contrast the experience with something worse and you cannot help feeling happy and grateful because... The change from trouble to comfort gives us more pleasure than uninterrupted comfort does.
[Lee Morgan] was the only young cat that scared me when he played. He had so much fire and natural feeling. I had more technique, but he had that feeling. People seemed to like him more than they like me at the beginning.
Composing gives me a chance to work in multiple dimensions and helps me pare down my melodies into what is essential. Learning new skills has always energized me and scoring has opened up a world of sonic possibilities.
Everybody listens to Bob Marley. It gives you an inner feeling to keep pushing on. It's an education on life. He helps me out every day. It gives me a deep-down feeling.
This site uses cookies to ensure you get the best experience. More info...
Got it!