A Quote by Kevin Dillon

I'm a big fan of comedians not having to apologize for anything. Nowadays it seems comedians are always apologizing for being funny. — © Kevin Dillon
I'm a big fan of comedians not having to apologize for anything. Nowadays it seems comedians are always apologizing for being funny.
A lot of people who claim they're political comedians are just comedians who have opinions. But they stop being funny the minute they give their opinions.
Comedians have to challenge the power. Comedians should be dangerous and devastating - and funny. That's the hardest part.
I think politicians and comedians have a lot in common. One is a group of approval-seeking narcissists who will say and do anything to be liked... and comedians are always talking about politics.
Years ago, there was a variety theatre in every British town, and people paid to go down and see it. Comedy was the main part of the theatre, and comedians earned a living by being funny. Now you have comedy in television instead. Comedians now have to be funny within a play.
I think it's kind of crazy that we're still calling comedians "female comedians." That seems more like a sneak attack.
I've found, across the board, that comedians have been very respectful and kind to me. And that seems to stem from the fact that they are just respectful and kind people in general. Comedians get a bad rap for being dark and anti-social I think.
People are going to label you anyway, but the one that bugs me the most is when they say, 'One of the funniest female comedians.' There's s no 'funniest male comedians.' You're either a funny comedian, or you're not!
I was a big fan of Rodney Dangerfield. He had this HBO Young Comedians Special and he'd always bring up new talent, and I loved that!
I try to stay with it and I try to stay in contact with comedians and just keep comedians in my life 'cause comedians are their own species. If you get away from them, especially as a comedian, I think it's dangerous.
One of the things I've found about SpongeBob's movement style is that, in addition to being animated and sort of stretching and squeezing, he's really based on the classic silent comedians, physical comedians.
'2 Dope Queens,' it was just a way for us to showcase female comedians, showcase comedians of color, showcase LGBT comedians, and shake up the landscape and be like, 'Hey, there is more than just what is out there.'
You have comedians who just do jokes, and they're called comics, not comedians. You have comedians that do bits - a person that has a lot of jokes that have a beginning, a middle and an end, but it's not a real story. And you have someone that does great stories, the one that blends those things together - that person is doing comedy.
After the comedy boom of the '80s, there was a certain formula that comedians had to do and could do in order to be successful touring comedians, and those were mainly observational comedians who had a very strict structure of what made an act, and I think it was very performance oriented.
We mustn't complain too much of being comedians - it's an honorable profession. If only we could be good ones the world might gain at least a sense of style. We have failed - that's all. We are bad comedians, we aren't bad men.
Everything you've heard about Canadians apologizing profusely for things they shouldn't be sorry about is absolutely true. It is both sweet, endearing and worrisome at the same time. Having someone apologize for no reason actually makes me feel as though I should apologize for their need to apologize.
I wasn't even a big comedy nerd. A lot of the comedians I know - a lot of my friends are comedians - they knew a lot about comedy growing up.
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