A Quote by Kevin Drew
I had never really written songs for anyone before. With [Broken] Social Scene, you're writing songs for others and your passing them around and exchanging things, but for a man who has the history that Andy Kim had, and has lived the life that he's had, you see such a youthful aspect of how he just wanted to create something again.
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The first song I wrote and had published was titled "Just As Long As That Someone Is You". It was written in 1959, and recorded in 1965 by Jimmy Ellege. I started writing songs because I wanted something of my own to sing. I, at that time, was not aware that the songs I heard on the radio were not written by the folks singing them. I had always loved poetry, and found it easy to integrate a melody with poetry.
I started to see this common theme with the songs that I was writing or co-writing, and it all had this really strong, independent point of view that I had subconsciously been craving from the music scene.
When I started out, I was definitely writing about experiences that I hadn't had yet. The songs were just based on my influences, songwriters that had written songs before me and that were more experienced and 20, 30 years older than me.
I always wanted to know, and I always used to daydream, about what it would be like to stand on a really big stage and sing songs for a lot of people, songs that I had written... Daydreaming was kind of my No. 1 thing when I was little, because I didn't have much of a social life going on.
What would I say about "Heaven Without a Gun"? For me, to have this man, and our friendship [ with Andy Kim] grew really slowly and very consistently throughout the years before we decided to get into a studio together, I wasn't sure if he wanted to do songs that were pre-written or what. We didn't know what we were getting into.
All right. I will be a man about this…I’m so sorry Bets. I should have hidden the keys. Booted your tires. Something. I had no idea anyone would abuse you so, baby. I swear I’ll never let anyone hurt you again. Ayyy, how could they do this to you? How? Oh the humanity!” – Andy “I really need to get that boy a girlfriend- or at least laid.” – Sundown
I was three years old when Hosni Mubarak came into power. I've lived under Hosni Mubarak nearly all my entire life. Even before he stepped down, I knew this wasn't Hosni Mubarak's Egypt anymore, and regardless of what happened, it never would be again. A fear barrier had been broken. And once that barrier was broken, it would never be built again. People knew that they had this power, that they would not be pushed around again. There was just this fearlessness and determination.
8th grade I started writing my own songs. They weren't good songs or anything, but it was always the song writing aspect of things that was important to me, I always just wanted to create a song it seemed like.
I started writing cheating songs when I was too young to have any idea what I was writing about - broken hearts and things like that. I just think it was something I already knew, something I had experienced in another lifetime.
Hardly any aspect of my life, from where I had lived to my education to my employment history to my friendships, had been free from the taint of racial inequity, from racism, from whiteness. My racial identity had shaped me from the womb forward. I had not been in control of my own narrative. It wasn’t just race that was a social construct. So was I.
The popular songs that were written in the 1920s and '30s, '40s and early '50s were written by veterans - mostly men who'd had experience in life. How can you write a lyric if you haven't really lived life?
For years I never had the courage to bring my written songs out. I had so many unreleased English songs.
I had my first band. it was kind of a progressive metal band kind of thing. I just started writing songs that required more and more challenging vocals, and I just did them. Necessity is the mother of invention, right? So I just sort of did what I had to do to make the songs sound the way I wanted them to.
I wish it was clear for me how it happened [stop writing songs], then maybe I could start writing again. But it's kind of an "it." It just submerged itself. Because the way I had always written was just that it came out. It just happened.
Oh my God, there are so many songs I wish I had written. 'Waters of March,' I wish I had written 'My Baby Just Cares for Me,' I wish I had written 'This Will Be Our Year,' I mean, there's millions of them. 'Wouldn't It Be Nice?'
It's a really common trap to want your life to live up to some standard that you believe in, and then you start to really examine those standards and realize they come not from experiences you've had, but things you've seen in movies, or feelings you've felt listening to pop songs, or ideas you've received from reading books. And not just happy things, but a lot of the time, sad things. It gets kind of depressing, when you see how movies and songs make these promises to us.
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