A Quote by Kevin Durand
I did stand-up for a long time and I did classical theater. As much time as you could spend on a stage will always inform you and your job, as you evolve.
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I did stand-up for a long time, and I did classical theater. As much time as you could spend on a stage will always inform you and your job, as you evolve. I feel the freedom of being able to find comedy in the darkest moments because it makes it way more interesting, I think.
I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
I did a lot of theater when I was in high school and college. I also did stand-up in college, so it was always part of what I did.
Yeah, I mean, I did regular stand-up for a long time. And I did - I stopped doing stand-up when I worked on 'Ellen,' which was for five years. So when I went back to it, I found that, like, regular stand-up didn't really do it for me anymore. It almost felt insincere, like I wasn't saying anything I actually really wanted to say.
I can't believe how much time has passed. The first time I did stand-up I was 17, and I was really a stand-up once I was 19 in New York, and now I'm 41, and I still feel like I haven't found myself onstage.
Younger songwriters will ask me, 'What did you do?' And it's like, 'Well, I worked a day job, and I didn't stake anything. I didn't quit my day job. I didn't have any hopes at all. I just did the thing that I believed in, and I waited a long time.'
Did you know? Did the cross cast a shadow on your cradle? Did you shudder each time your hammer struck a nail? How much heaven and how much earth were in this baby at his birth? Did you know, or did you wonder?
It was important for me as a theater artist to allow myself and my interests to evolve over time and allow my notion of what success meant to evolve over time. I've always had a day job and never been just acting. But it didn't make me feel like I wasn't doing what I was supposed to be doing.
My philosophy as a filmmaker is to inform and entertain at the same time. And when I went away from documentaries into miniseries like 'Roots,' I did the reverse. Instead of just entertaining, I want to inform at the same time.
Normally classical music is set up so you have professionals on a stage and a bunch of audience - it's us versus them. You spend your entire time as an audience member looking at the back of the conductor so you're already aware of a certain kind of hierarchy when you are there: there are people who can do it, who are on stage, and you aren't on stage so you can't do it. There's also a conductor who is telling the people who are onstage exactly what to do and when to do it and so you know that person is more important than the people on stage.
I slowly came to realize that this job of being an actor, you spend most of your time looking for work. That is your job. Your job is auditioning. You spend very little of your time actually working.
I spend a lot of time on college campuses, a lot of time mentoring young women in all sectors of business, because I don't want them to spend as much time to get their voice as I did.
If you sit back & spend too much time feeling good about what you did in the past, you're going to come up short next time
Every time you say yes to something you don’t want to do, this will happen: you will resent people, you will do a bad job, you will have less energy for the things you were doing a good job on, you will make less money, and yet another small percentage of your life will be used up, burned up, a smoke signal to the future saying, “I did it again.
I'm from Chicago. And I was an actor in high school and college, and I wanted to see if I could make a run of it in this job. So, I went downtown in Chicago, and I went up on a stand-up stage and did an open mic. It went well, so I'm like, 'Alright, I'll give it another try.'
After my husband died, I could not write much - I could not concentrate. I was too exhausted most of the time even to contemplate writing. But I did take notes - not for fiction, but for a journal, or diary, of this terrible time. I did not think that I would ever survive this interlude.
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