An older guy, he's going to show you things that a young man can't show you. He's going to show you how to stay alive. He's going to show you how to turn corners where your young friends will show you how to turn right into that wall, you know what I'm saying?
Just before I began doing this show [The Last Word ], a dear friend of mine, Karen Russell, asked me what I was going to do with the show.She meant how was I going to use this platform to do something important, something that I wouldn`t be able to do without an hour of real estate in cable news prime time.The K.I.N.D. fund is my answer to Karen Russell`s question, what are you going to do with this show?
I was in love with the British 'The Office', so even though I love Steve Carell, when they were going to remake it, I was like, 'This is not going to work. I'm going to completely veto this show. I am not going to watch this show.' But now, I love it.
This is a new phase in my life. I just want people to give the show ["This Is Mike Stud"] and myself a real chance. I'm pretty self aware and know what people are going to think this show is going to be like.
Any time I approach a scene, it's not just what's on the page - it's how the camera's going to show or not show what's on the page. It's which character are we going to align with and what music is going to be playing.
Robert Gober, for example. He doesn't seem like somebody who is just going to show in a gallery that asks him to show. He's just making his work, and when he's ready, he's going to show it.
I remember running into Aaron's Sorkin office and going "The show's West Wing going to work! I know it's going to work!" And it was literally that moment: the energy, the place, the feel. I didn't know the show would be successful but I thought it was going to be good and I don't have that feeling very often. And we were rehearsing all of that not knowing who the President of the United States was!
I'm working on a cooking show; I'm going to do some of it at Dallas Page's performance center. I'm going to do a cooking show called 'Dude Food,' where I show young guys how to eat good and clean, cheap.
I think there's just some fundamental decisions at the beginning that are going to make it different. Our show The Right Now Show is going to be specifically different than Mr. Show because of the talent involved.
It's fun to watch a show that you can watch with any member of your family, and you're going to laugh, and you're going to be moved, and you're going to have fun, rather than this dark, brooding, cold, 'purely procedural show.'
People are going to move in and out of their office, and they're going to move up or get fired. All kinds of things happen like that, in real life. And, we're always going to have crime, unfortunately. If we didn't, then I wouldn't have a new show.
If I have a choice whether to do the show or throw a straight pass, and we're going to get the basket either way, I'm going to do the show.
If Portland can truly have a true comics show that doesn't become a media show but retains its focus on comics, I think it's going to serve the city well. If this becomes a big show, it's going to bring in a lot of money for the city.
In my stories for children, I sometimes show a hard, harsh, dangerous world. I'm going to show you the way it is, but I'm going to also tell you that there's every reason to hope.
Well, I am producing a show that's going to be on NBC this fall. It's called 'School Pride,' and it's a reality show where we're going around the country and renovating schools. It's really great.
If you're going to a show that we're providing support for, or a large festival, you're obviously going to see a condensed version. We have to shave off some fat from the show, so we have to stick to the so-called 'bangers.'