A Quote by Kevin Eubanks

I was playing violin for a long time, about 6 years. It takes a while. You need very patient people in your house when you have a violin. — © Kevin Eubanks
I was playing violin for a long time, about 6 years. It takes a while. You need very patient people in your house when you have a violin.
I started playing violin when I was about five years old and I learned to read a little bit of music, but that's all been long, long forgotten! I actually quit violin to teach myself guitar and just went from there.
Well my dad forced me into playing the violin when I was about three and it all started from there. I went to Suzuki for violin lessons, and you learn to play by ear instead of reading music.
It's hard to explain what happens when jazz and punk fuse with a violin twist but it works. Probably because Anson Choi takes off his shirt while he's playing the saxophone. Whoever's not chatting up a Cadet or a girl from Darling House or playing chess with the guys is watching the band. I turn into a groupie.
The violin has always been important for me. My mom was a single mom and we moved around a lot, and so the violin was always the one constant I had. I always feel better when I had my violin. Playing it is cathartic.
I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque.
An actor is supposed to be a sensitive instrument. Isaac Stern takes good care of his violin. What if everybody jumped on his violin?
Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.
[Billy Strayhorn] understood the violin as well as he understood Jazz, and he wrote for the violin as a violin.
I read the other day that Minor White said it takes twenty years to become a photographer. I think that is a bit of an exaggeration. I would say, judging from myself, that it takes at least eight or nine years. But it does not take any longer than it takes to learn to play the piano or the violin. If it takes twenty years, you might as well forget about it!
The only thing I can say that is not bullshit is that you do have to learn to write in a way that you would learn to play the violin. Everybody seems to think that you should be able to turn on the faucet one day and out will come the novel. I think for most people it's just practice, practice, practice, that sense of just learning your instrument until - when you have an idea on the violin, you don't have to translate it into violin-speak anymore - the language is your own. It's not something you can think your way into, or outsmart. you've just got to do it.
Since I first picked up the violin, I've been very interested in tone and texture: I would have very visceral reactions to the texture of a snare drum or a pedal steel guitar or a violin.
As far as I remember, there was no actual lyric written to that.At the very beginning of "Fiddler on the Roof," there's a violin solo, an unaccompanied violin solo.
I was actually the head of the violin after-school club. And then I was also the head of the dance club, the popping club. So one day, just by coincidence, we had to hold the two clubs at the same time. I had to go back and forth. And that's when the idea came up for dancing and playing violin at the same time.
The only downside to playing the violin is that you never know when you're going to be asked to play. I could be out to dinner or having a drink at a bar, and someone could just give me a violin, and I've got to be ready to play.
It takes generosity to discover the whole through others. If you realize you are only a violin, you can open yourself up to the world by playing your role in the concert.
My grandma has a picture of Louis Farrakhan playing violin in her house.
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