A Quote by Kevin Eubanks

I consider myself a serious musician. Doing a comedy show does not take away from that in any way. — © Kevin Eubanks
I consider myself a serious musician. Doing a comedy show does not take away from that in any way.
The hardest thing as somebody who does both is - and I'm very serious as an actor, and I consider myself very serious as a musician, engineer, music artist - is learning that it's OK to be versatile.
I don't consider myself a musician who has achieved perfection and can't develop any further. But I compose my pieces with a formula that I created myself. Take a musician like John Coltrane. He is a perfect musician, who can give expression to all the possibilities of his instrument. But he seems to have difficulty expressing original ideas on it. That is why he keeps looking for ideas in exotic places. At least I don't have that problem, because, like I say, I find my inspiration in myself.
Being as versatile as I am, I take offense to the notion that no serious musician would not be doing a late night talk show gig. One has to be open enough in other areas to be able to contribute to a show like this.
Comedy is the result of what's happening, not what people are doing. Because if people are doing comedy. It's embarrassing. The individual elements have to be straight-faced, serious, realistic with a firm basis. What makes it comedy is a somewhat shifted way to put it together.
Voice actors I used to know who were starting out in comedy were guys who did a lot of voices. They were usually comedy actors who developed their comedy by doing tons of impressions and voices that were usually very funny. And I never did any of that, so that's, I guess, why I don't consider myself a voice actor.
I love the idea of doing comedy, whether it's action comedy or just straight comedy. It's such a big, new world for me that I'm starting to realize that any character that I relate to, in any way, shape or form, or that I have any appreciation for, given enough preparation, I can find that person.
In a weird way, I never wanted - I don't consider myself a very good writer. I consider myself okay; I don't consider myself great. There's Woody Allen and Aaron Sorkin. There's Quentin Tarantino. I'm not ever gonna be on that level. But I do consider myself a good filmmaker.
As long as I continue to take myself seriously, how can I consider myself a saint? How can I consider myself a contemplative? For the self I bother about does not really exist, never will, never did except in my own imagination.
I love straight-face comedy or relatively subtle comedy. And then I turn around and I find myself doing very broad comedy but it's all fun and you have to keep your sense of humor and not take yourself seriously.
What I'm doing when I'm doing my speaking engagements is that I'm delivering serious material with humor. So, instead of delivering humor without a particular point other than to entertain people, I'm delivering comedy in a serious way.
People always call me a comedian. And I don't really see myself like that. I guess I just consider myself an actor who does comedy. But who wants to do other things as well.
If I murmur in the least at affliction, if I am in any way uncharitable, if I revenge my own case, if I do anything purely to please myself or omit anything because it is a great denial, if I trust myself, if I take any praise for any good which Christ does by me, or if I am in any way proud, I shall act as my own and not God’s.
Take away material prosperity; take away emotional highs; take away miracles and healing; take away fellowship with other believers; take away church; take away all opportunity for service; take away assurance of salvation; take away the peace and joy of the Holy Spirit... Yes! Take it all, all, far, far away. And what is left? Tragically, for many believers there would be nothing left. For does our faith really go that deep? Or do we, in the final analysis, have a cross-less Christianity?
I love comedy. I suppose comedy is my first love, in a way. I did a lot of acting, funnily enough, unprofessionally, as a kid. From when I was 10 years old until I was about 19, I was always doing little sketches with my friends, and doing different accents and voices. Probably about 3/4 of those were comedic, in some way, and the other 1/4 was more serious stuff or more action or more dramatic little pieces that I would make. But, I tend to lean towards comedy.
I consider myself to be doing comedy in a post-Jon Stewart world to a certain extent.
When I first started doing my comedy act, I just desperately needed material. So I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines. I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.
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